Archivi Categorie: digital art

Ars Electronica, Call for Entries to the 2017 STARTS Prize Competition
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annamaria monteverdi/ Gennaio 11, 2017/ CALL/OPPORTUNITIES, digital art

The European Commission cordially invites artists, scientists and technicians, teams, collectives and firms to take part in this year’s STARTS Prize competition. Entries are now being accepted. STARTS honors projects that demonstrate the successful interplay of science, technology and art, and that have the potential to contribute to economic and social innovation. The two prizewinners each receive €20,000 and will

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Ex machina-Robert Lepage: La Grande Bibliothèque virtuelle
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annamaria monteverdi/ Dicembre 13, 2016/ digital art

Dans le cadre des festivités entourant le 10e anniversaire de la Grande Bibliothèque, Ex Machina a conçu, d’après une idée originale de Bibliothèque et Archives nationales du Québec, une exposition inspirée de l’ouvrage La bibliothèque, la nuit d’Alberto Manguel. Dans cette œuvre, l’auteur canadien d’origine argentine aborde les dimensions philosophiques, logiques, architecturales ou sociales que sous-tend l’existence de toute bibliothèque.

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Christmas is Coming, il contest natalizio di Antica Proietteria
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annamaria monteverdi/ Dicembre 12, 2016/ CALL/OPPORTUNITIES, digital art

L’intento è quello sottolineare il legame indissolubile tra idea e tecnologia creando un primo momento virtuale di incontro e di confronto tra chi produce elaborati artistici e chi fornisce l’attrezzatura necessaria, tra chi innova i linguaggi visivi e chi quelli tecnologici. Un percorso che, nel futuro, si snoderà tra eventi e call, tra opportunità e formazione. Dietro a questo progetto

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The poetry (and philosophy) of face projection mapping. My interview to NOBUMICHI ASAI, author of the OMOTE project
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annamaria monteverdi/ Novembre 16, 2016/ digital art, interactive performance

Nobumichi Asai is one of the best known media artist and projection mapping producer. Graduated from Department of Science, Tohoku University. Currently belongs to WOW Inc. Creative/Technical Director/Media Artist. He is globally acclaimed with face mapping for Lady Gaga at the Grammys 2016, “Connected Colors” for Intel’s global campaign, the laser hologram “Light of Birth” exhibited at La Triennale di Milano

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A VIDEO SOUND ART festival ospite il pioniere dell’arte digitale Wolf Lieser
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annamaria monteverdi/ Novembre 5, 2016/ digital art

“TA EROTIKA Hidden Doors” Milano, 6 novembre 2016 Museo del Design 1880-1980 (via G. Borsi, 9 – Milano) Ospite il pioniere dell’arte digitale Wolf Lieser, intervistato da Patrick Gosatti. Ultimo giorno di esposizione per la video installazione di Delphine Depres. Al Museo del Design 1880 – 1980 fino a domenica 6 ottobre è possibile assistere all’installazione G Trouble, opera originale

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APNEA Opera d’arte interattiva immersiva sui migranti e il mare-Officine sintetiche, Torino
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annamaria monteverdi/ Novembre 3, 2016/ digital art

OPENING 4 NOVEMBRE 2016 DALLE 18 ALLE 23 5-20 NOVEMBRE 2016 dal giovedì alla domenica dalle 14 alle 19 FONDAZIONE 107 – VIA SANSOVINO 234, TORINO APNEA BOOK_ENGLISH VERSION LIBRETTO APNEA   Apnea esplora la dimensione emozionale dei migranti che attraversano il mare. Apnea propone un itinerario interiore che chiunque può riconoscere, una mappa di sentimenti e paure cartografata attraverso

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Geometrie ed effetti optical nel nuovo videoclip di Massimo Bertacci, Grazie per avermi ucciso
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annamaria monteverdi/ Ottobre 20, 2016/ digital art

Appena uscito il videoclip del cantante Massimo Bertacci del brano Grazie per avermi ucciso. I videodesigner  Francesca Pasquinucci e Davide Giannoni per Imaginarium Creative Studio hanno giocato con le proiezioni di texture geometriche in black & white sul corpo e sul volto dell’artista e l’ombra dietro di lui sembra un alter ego che si genera nel corso della canzone. Semplice

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Il barbiere di Siviglia, Komische Oper, Berlin
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annamaria monteverdi/ Ottobre 13, 2016/ digital art

Rossini’s classic in the production by one of the most exciting contemporary Russian directors, Kirill Serebrennikov – with Tansel Akzeybek as the enchanting lover, Nicole Chevalier as the clever object of his desire, Philipp Meierhöfer as the not-very-bitter rival, and Dominik Köninger as the frantic factotum. There are strange goings-on behind Doctor Bartolo’s back! Recently, his ward Rosina – whom he

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A Companion to Digital Art edited by Christiane Paul
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annamaria monteverdi/ Ottobre 13, 2016/ digital art

Description Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast-moving discipline Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent

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Variation – Media Art Fair, Paris
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annamaria monteverdi/ Ottobre 1, 2016/ digital art, Festival

Variation – Media Art Fair est la première foire française d’art contemporain dédiée aux artistes nouveaux médias, fruit de la collaboration de trois figures majeures du marché de l’art contemporain numérique, Dominique Moulon, commissaire d’exposition et critique d’art et Anne-Cécile Worms, productrice de l’événement, fondatrice de la start-up Art2M & éditrice du Magazine des Cultures Digitales. L’exposition Variation-Media Art Fair, lors de

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Symposium: Media art and the Art Market 10th October 2016 LENTOS Kunstmuseum Linz
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annamaria monteverdi/ Settembre 26, 2016/ digital art

Symposium: Media art and the Art Market 10th October 2016 LENTOS Kunstmuseum Linz Invited Speakers: Univ.-Prof. Dr. Reinhard Kannonier, Dr. Stella Rollig, Dipl. Ing. Gerfried Stocker, Dr. Christa Sommerer, Dr. Christiane Paul, Dr. Annette Doms, Dr.Pau Waelder, Wolf Lieser. Detailed speakers’ list and abstract on: http://interface.ufg.ac.at/blog/ Schedule: 09:00 – 09:05 Welcome Address by Univ.-Prof. Dr. Reinhard Kannonier Rector of the

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SENSITIVE AND DIGITAL SCAPES Visualcontainer videoart selection
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annamaria monteverdi/ Settembre 26, 2016/ digital art

SENSITIVE AND DIGITAL SCAPES Visualcontainer videoart selection 8° CONTEMPO International Contemporary Art Festival Sea Garden, Primorski Park Varna, Bulgaria 26.09.2016 6pm Artists: Hwayong Jung – Lino Strangis – Salvatore Insana – Rita Casdia – Riccardo Muroni – Eleonora Manca – Yuri Pirondi + Ines von Bonhorst – Chiara Mazzocchi -Lucia Veronesi – Natalia Saurin – Mauro Folci “The screening project

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Focus on João Beira (Datagrama)
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annamaria monteverdi/ Settembre 24, 2016/ digital art

Datagrama lives in the intersection of 3D projection design with interactive media. Datagrama is the alter ego of João Beira. Born and raised in Portugal, he realized from an early age that his mission in life would be to generate immersive experiences through the use of projected light and its influence on our perception. Komorebi is a Japanese word to

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digitalgraffiti call for entries
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annamaria monteverdi/ Settembre 19, 2016/ CALL/OPPORTUNITIES, digital art

Celebrating its 10th anniversary, Digital Graffiti 2017 promises to deliver a fascinating experience in immersive projected art. The Alys Foundation has given over $100,000 in awards and artist stipends over the past 10 years, all to further digital work in the public realm. Artists, designers, photographers, and architects are invited to submit their artwork to be projected under a light-starved

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Call for texts and art projects: Art and New Media in Latin America
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annamaria monteverdi/ Settembre 19, 2016/ CALL/OPPORTUNITIES, digital art

Call for texts and art projects: Art and New Media in Latin America **Submission deadline extended to September 26, 2016** For the publication of its issue #90, the digital journal InterArtive will edit an special issue dedicated to the intersections between Art and New Media in the geopolitical and cultural context of Latin America. We invite scholars, critics, curators and

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Sensibilia 2016 Embodiment venerdi 30 settembre, Roma
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annamaria monteverdi/ Settembre 19, 2016/ digital art

Venerdì 30 settembre 2016 – ore 11.00 Museo Hendrik Christian Andersen Via Pasquale Stanislao Mancini, 20 – Roma Intervengono Francesca Dragotto Università di Roma “Tor Vergata” Embodiment e natura del segno linguistico: verso una ‘nuova’ primizia? Carmela Morabito, Chiara Guidi Università di Roma “Tor Vergata” Le nuove forme di embodiment tra filosofia e neuroscienze cognitive Tiziana Migliore Università Ca’ Foscari

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Voûtes Célestes 2016 Installation de réalité virtuelle générative et intéractive by Miguel Chevalier
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annamaria monteverdi/ Settembre 19, 2016/ digital art

Voûtes Célestes 2016 Installation de réalité virtuelle générative et intéractive Generative and interactive virtual-reality installation Nuit Blanche 2016, Eglise Saint-Eustache, Paris (France) Samedi 1er octobre 2016, à partir de 20h30 (Entrée Rue du Jour) Saturday October, 1st, 2016, from 8:30pm (Entrance Rue du Jour) Simulations “Voûtes Célestes 2016” Logiciels / softwares: Cyrille Henry / Antoine Villeret Voûtes Célestes est une

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ARP | AREA RICERCA PROGRESSIVA SET OPERA by N!03
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annamaria monteverdi/ Settembre 19, 2016/ digital art, NEWS

ARP | AREA RICERCA PROGRESSIVA Progettazione e realizzazione di N!03 [ennezerotre] A cura di Fabia Molteni, Cinzia Rizzo, Franco Rolle Musiche di Riccardo Castaldi ispirate all’aria Vissi d’arte tratta dall’opera Tosca di G. Puccini Montaggio video Mara Colombo#arearicercaprogressiva @Studio_Azzurro c/o Fabbrica del Vapore via G. C. Procaccini 4, Milano Orari di apertura  Lunedì – Venerdì 10.30 – 19.00 (citofonare “Studio Azzurro”)

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Open Fields conference, Riga
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annamaria monteverdi/ Settembre 19, 2016/ conference, digital art

Following the last year’s successful launch of Renewable Futures (renewablefutures.net – the biannual travelling conference series) – this year RIXC with its European partners from Changing Weathers project, and other collaborating institutions and universities from the Baltic Sea region and Europe, are introducing Open Fields, aiming to develop it towards an annual Riga based gathering for the discussion on artistic

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Realtà virtuale e Beni culturali: focus su Andrea Brogni direttore scientifico di Alma Artis Academy
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annamaria monteverdi/ Settembre 17, 2016/ digital art

Andrea Brogni è il Direttore scientifico della Alma Artis Academy, l’Accademia di Nuove tecnologie che ha sede a Palazzo Quaratesi in Via Santa Maria a Pisa. Ricercatore di alto livello, in Accademia è impegnato con il ruolo di ricercatore per le nuove tecnologie e per i sistemi avanzati di visualizzazione Virtual Reality. Qua un profilo della sua attività scientifica tracciato da

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Il computer artist Lino Strangis da Ars electronica alla Alma Artis Academy
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annamaria monteverdi/ Settembre 17, 2016/ digital art, FOCUS

Lino Strangis, uno dei più noti e attivi artisti digitali italiani reduce dalla vetrina internazionale Ars electronica 2016 dove ha esposto nella mostra principale Radical Atoms, da quest’anno è docente di Computer Art alla Alma Artis Academy di Pisa. La scelta di Strangis da parte della direzione dell’Accademia è legata all’interessante e prolifica sperimentazione e produzione del giovane artista, già presente

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Giacomo Verde docente alla Alma Artis Academy di Pisa.
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annamaria monteverdi/ Settembre 17, 2016/ digital art, DIGITAL PERFORMANCE, FOCUS

L’Accademia di Nuove tecnologie Alma Artis di Pisa (con due indirizzi Art and Digital Technologies e Graphic and Multimedia design) diretta dal dott. Dario Matteoni (direttore scientifico: Ing. Andrea Brogni) ha inserito tra i nuovi docenti dell’anno accademico 2016-2017 uno degli artisti più conosciuti nel panorama dell’arte tecnologica, Giacomo Verde. Insegnerà Teatro multimediale. Napoletano di nascita ma toscano d’adozione Verde

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MEQ Festival: Transcranial D.O.P.E. – Klaus Obermaier, Daito Manabe, Kyle McDonald
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annamaria monteverdi/ Settembre 16, 2016/ digital art, FOCUS

TRANSCRANIAL at MEQ Festival September 16, 2016 Mèq Festival – Festival international d’art numérique performatif Théâtre des Treize Vents, Montpellier / France Scientists use electromagnetic pulses to create glitches on brain activity by altering neuronal currents. Such glitches may cause temporary failures that can be represented by disassembling the body. As if this would be malfunctioning or out of control. Mind

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Scopitone, le festival des arts numériques et des cultures électroniques,
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annamaria monteverdi/ Settembre 16, 2016/ digital art, FOCUS

MATTHEW BIEDERMANRYOICHI KUROKAWADAITO MANABEMOTOI ISHIBASHIPIERCE WARNECKE Scopitone, le festival des arts numériques et des cultures électroniques, lance sa 15e édition du 21 au 25 septembre à Nantes. Scopitone arpente les vastes territoires des arts numériques. Avec, au programme, un ensemble d’œuvres digitales qui interrogent leur siècle, ses pratiques et ses visions. Previous Marietta Ren, Phallaina. BD numérique.Courtesy de l’artiste. Scénographie

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Digital Provence: TeamLab for L’Occitane
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annamaria monteverdi/ Settembre 10, 2016/ digital art

From September 16th, the Shinjuku branch of L’Occitane hosts “Digital Provence”, an installation “powered” by teamLab. A digital gallery space on the fourth floor of the store utilizes beauty products by the French retailer to create an immersive experience all around the visitor. The Digital Provence Theater installation harnesses the fragrances of the L’Occitane wares, revelling in the signature lavender

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Projection on water screen-back stage
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annamaria monteverdi/ Settembre 10, 2016/ digital art

Covering a wide variety of effects, the heading “liquid” encompasses such things as simulated rain for movies and theme park attractions, waterfalls, geysers and steam vents. We also install underwater air cannons to blast gallons of water 90 feet into the air as well as high-pressure pump systems to create real mist and fog effects. Few effects can add reality

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Projections on water screens
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annamaria monteverdi/ Settembre 10, 2016/ digital art, FOCUS

Japan Kabuki Festival in Las Vegas 2016 Panasonic presents “Water Screen Digital Show by Shochiku x teamLab”     Launch of the new Jordan Melo M8 using explosive water projections. Kozyrnaya Picnic Party, Kiev, June 13, 2009. The jewel of the party was a stunning show featuring a hologram, 26 m x 15 m size, suddenly emerging above the still

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The interactive installations by teamLab
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annamaria monteverdi/ Settembre 10, 2016/ digital art, FOCUS

The internet has changed the relationship between people and contents – people participate in and have become a part of contents. In this interactive art work the viewer’s presence mixes with an abstract world of squares and delicately drawn grid lines. Ito Jakuchu (1716-1800), was an early modern Japanese artist active in Kyoto during the Edo Period. Jakuchu has left us

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Yoichi Ochiai (JP) at Ars electronica
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annamaria monteverdi/ Settembre 5, 2016/ digital art, Festival

Honorary Mention Interactive Art+ Yoichi Ochiai (JP) Fairy Lights in Femtoseconds is a 3-dimensional holograph that creates a dialogue between the physical and the immaterial, melting the border between matter and images. The result of a successful collaboration between artist Yoichi Ochiai and three Japanese universities, compositions of light fields are created using laser-induced plasma, operating in 30 femtosecond pulses

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Lino Strangis at Ars Electronica, Linz
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annamaria monteverdi/ Settembre 5, 2016/ digital art, FOCUS

Flying in the Middle of Nowhere Thu 8 September – Mon 12 September 2016 First Floor / Gallery POSTCITY Credit: Lino Strangis The work was produced at Fondazione Mondo Digitale’s Innovation Gym. Lino Strangis for six  months at Phyrtual Innovation Gym along with seven young people selected by a call. The Phyrtual Innovation Gym is place where artists can find

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