Archivi Categorie: DIGITAL PERFORMANCE

Digital performance: bibliography

annamaria monteverdi/ novembre 12, 2017/ DIGITAL PERFORMANCE, interactive theatre, LIBRI

Theatre Performance and Technology: The Development of Scenography in the Twentieth Century (Theatre and Performance Practices) Paperback – 19 Sep 2005 by Professor Christopher Baugh (Author) Throughout history, all great theatre cultures have used technology as an important part of performance: as a means to shift and change scenic appearance, and as visual rhetoric, spectacle and show. Revolutionary scientific thinking in the twentieth century, alongside

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Colloque international MASQUES TECHNOLOGIQUES : ALTÉRITÉS HYBRIDES DE LA SCÈNE CONTEMPORAINE

annamaria monteverdi/ dicembre 3, 2017/ conference, DIGITAL PERFORMANCE

Colloque international 14 et 15 décembre 2017 Le Cube – Centre de création numérique, PARIS20 cours Saint-Vincent92130 Issy-les-MoulineauxLe colloque international Masques technologiques  altérités hybrides de la scène contemporaine, vise à proposer une réflexion sur l’augmentation technologique dans le spectacle vivant à travers le prisme du masque, « lieu d’un passage extrême vers d’autres, identités protéiformes d’où émergent des visions de l’inconnu »(F. Mastropasqua).

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Sophie Lally, Identity, Performance and Technology Practices of Empowerment, Embodiment and Technicity

annamaria monteverdi/ dicembre 2, 2017/ DIGITAL PERFORMANCE, LIBRI

This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice. Reviews: ‘…this is an important addition to the material on performance and technology and its

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Università di Salerno, Convegno Internazionale di Studi “Digital Poiesis. Rimediazioni, immaginari, narrazioni contemporanee”.

annamaria monteverdi/ novembre 20, 2017/ conference, digital art, DIGITAL PERFORMANCE

Si svolgerà mercoledì 22 e giovedì 23 novembre, presso il Campus di Fisciano dell’Ateneo di Salerno, nell’aula “Vittorio Foa”, il Convegno Internazionale di Studi “Digital Poiesis. Rimediazioni, immaginari, narrazioni contemporanee”. Al centro delle riflessioni e del dibattito scientifico sono posti i temi delle narrazioni, dell’immaginario audiovisivo e delle pratiche comunicative trasformate dagli ambienti digitali; un’attenzione particolare sarà fornita alle linee

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Call For Papers/Workshops: Innovations in Assessment for Drama, Performing Arts and Musical Theatre One-Day Symposium at Anglia Ruskin University, Cambridge Saturday 3rd March 10am-4pm

annamaria monteverdi/ novembre 16, 2017/ CALL/OPPORTUNITIES, DIGITAL PERFORMANCE

In the fields of Drama, Performing Arts and Musical Theatre, assessments are often dynamic and exciting moments in the students’ year, with live performances, experimental practice, public facing events, and complex synthesising of theory and practice – all of which can pose significant challenges for students and assessors, and which create a particularly important hot topic when it comes to progression

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La scène-image. Extrait de Bardiot Clarisse, Arts de la scène et technologies numériques : les digital performances, Ouvrage hypermédia

annamaria monteverdi/ novembre 12, 2017/ DIGITAL PERFORMANCE, essay, interactive theatre

La scène-image (une histoire des images animées sur scène). Clarisse Bardiot Extrait de Bardiot Clarisse, Arts de la scène et technologies numériques : les digital performances, Ouvrage hypermédia, Collection Les Basiques, Leonardo/Olats, juin 2013. Collection dirigée par Annick Bureaud. http://atpssceno2.wixsite.com/atpsscenographies/histoires September 18, 2014 Depuis la fin du XIXe siècle, les images envahissent l’espace scénique, jusqu’à devenir aujourd’hui un phénomène très répandu. À la

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INFLUX FESTIVAL, Video a Escena 2017 Barcelona

annamaria monteverdi/ novembre 8, 2017/ DIGITAL PERFORMANCE, Festival

The fourth edition of INFLUX festival is dedicated to audiovisual performing arts. INFLUX promotes artists who use video and digital media as an integral aspect of artistic expression in their stage proposals. The festival includes works by visual artists, musicians, poets, dancers, performers or theatrical creators who blur the edges. The protagonists of this edition will be Kònic Thtr, Kórnik Trio, Aldo Aranda and Slowflames. INFLUX aims

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INITI, “Anticodes” by Braňo Mazúch

annamaria monteverdi/ novembre 5, 2017/ DIGITAL PERFORMANCE, interactive theatre

Anticodes is interactive, visual and dance production based on Václav Havel’s collection of experimental poetry from 60’s of the same name. Laterna Magika’s classic and typical use of film footage is replaced in Anticodes by projection and sounds from live sources. The production introduces real-time animations to Laterna Magika, which detects people or objects in pre-determined zones. Here are some

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Hamlet on the Holodeck, Updated Edition The Future of Narrative in Cyberspace By Janet H. Murray

annamaria monteverdi/ ottobre 11, 2017/ DIGITAL PERFORMANCE

Overview I want to say to all the hacker-bards from every field—gamers, researchers, journalists, artists, programmers, scriptwriters, creators of authoring systems . . . please know that I wrote this book for you.” —Hamlet on the Holodeck, from the author’s introduction to the updated edition Janet Murray’s Hamlet on the Holodeck was instantly influential and controversial when it was first published in

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STEREOPTIK Dark Circus ROMAEUROPA FESTIVAL 11 – 12 novembre 2017 MACRO Testaccio – La Pelanda –

annamaria monteverdi/ ottobre 1, 2017/ DIGITAL PERFORMANCE

Non fatevi ingannare dal titolo di questo spettacolo: di nero nel Dark Circus dei francesi STEREOPTIK c’è solo l’inchiostro, un uso della luce che riporta ai primordi del cinema e al teatro delle ombre e un bizzarro universo fiabesco abitato da insoliti circensi uniti da un unico e ironico motto: «Come for the show, stay for the woe (venite per lo spettacolo,

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UFO by Ivan Vyrypaev (director Bobi Pricop), National Theatre, Bucarest, 4 October

annamaria monteverdi/ ottobre 1, 2017/ DIGITAL PERFORMANCE

The Soul, the Last Frontier Are there UFOs? In the beginning, Vyrypaev assures us that yes. He knows it: he crossed the entire world in the search of people who guarantee us that they have seen them. It is only about respectable people, professionals, students, mothers, professors, scientists, businessmen. Whom he discovers all over the world, in Australia, Russia, the

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Robert Lepage at FNT (National Theatre Festival, Bucarest) – 21 October

annamaria monteverdi/ ottobre 1, 2017/ DIGITAL PERFORMANCE

Dialogue with Robert Lepage and Evgeny Mironov 21 October| “I.L.Caragiale” National Theatre, Tapiserii Hall (Tapestry Foyer) The 27th edition of the National Theatre Festival is the host of two great names of international theatre: Canadian director Robert Lepage and actor Evgeny Mironov, the artistic director of the Theatre of Nations, Moscow. The festival audience will have a chance of a dialogue

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An Intervention by Mike Bartlett, Bucarest

annamaria monteverdi/ ottobre 1, 2017/ DIGITAL PERFORMANCE

An Intervention by Mike Bartlett 20 October| 20:00 – Act Theatre 21 October| 22:00 – Act Theatre What is friendship? Is it when two people meet several times and talk to each other? Is it intimacy shared by two people? Should I feel different if I have friends? More responsible maybe, happier, more accomplished? How many true friends do I have?

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Colloque international, Masques technologiques : altérités hybrides de la scène contemporaine Paris 14 – 15.12.17

annamaria monteverdi/ settembre 20, 2017/ conference, DIGITAL PERFORMANCE

Masques technologiques : altérités hybrides de la scène contemporaine Les 14 et 15 décembre 9h30 – 18h Gratuit / Réservation sur lecube.com Public : artistes, chercheurs, étudiants Ce colloque international propose une réflexion sur les enjeux de l’augmentation technologique dans le spectacle vivant à travers le prisme du masque. « Le masque est la tête idéale du théâtre », écrivait le metteur en

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“Strambe storie. Da Saki a Dahl” del Teatro dell’Orsa al Festival della Mente di Sarzana

annamaria monteverdi/ agosto 31, 2017/ DIGITAL PERFORMANCE

  Monica Morini e Bernardino Bonzani hanno creato, a partire dal libro “Il narratore” di Saki e in collaborazione con il suo illustratore Michele Ferri, uno spettacolo originale per spettatori di ogni età. “Strambe storie” sarà in scena in Liguria nell’ambito del primo Festival europeo dedicato alla creatività e alla nascita delle idee. «L’arte di farsi ascoltare è prima di

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Agrupación Señor Serrano a ROMAEUROPA Festival 2017

annamaria monteverdi/ agosto 31, 2017/ DIGITAL PERFORMANCE

Agrupación Señor Serrano, BIRDIE 28 – 29 ottobre 2017 Teatro Vascello h 21, domenica 29 h 17 Alcuni uomini giocano a golf mentre, alle loro spalle, decine di migranti, come Gli uccelli di Hitchcock, stanno in bilico sulla cima di un recinto, intenti a scavalcarlo. Da questa fotografia, scattata da José Palazón, e dall’insolito accostamento con il film Gli uccelli, la compagnia catalana

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DandyPunk Live immersive theater at Sundance Festival 2017

annamaria monteverdi/ luglio 10, 2017/ DIGITAL PERFORMANCE, interactive performance, interactive theatre, videomapping

Trailer for a live, immersive installation at Sundance New Frontier 2017 by Dandypunk, Darin Basile and Jo Cattell “There was an amazing projection mapped, immersive theater piece at Sundance this year by Heartcorps called “Riders of the Storyboard.” Trained street performers interacted with a virtual projection-mapped 2D objects, and through the slight of hand of magic broke these flat objects

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Anticipazione del mio saggio “Les aiguilles et l’opium di Robert Lepage: dall’edizione del 1991 a quella del 2013 (aggiornando il software)”.

annamaria monteverdi/ luglio 9, 2017/ DIGITAL PERFORMANCE, videomapping

Anticipazione del mio saggio su Les aiguilles et l’opium di Lepage per il volume antologico di Vincenzo Del Gaudio e Alfonso Amendola sul teatro tecnologico. (prima parte)   Revival o ripensamento? Nel 2012 Bob Wilson riproponeva sulle scene, in una nuova versione molto fedele all’originale, il capolavoro senza tempo Einstein on the beach (1976); Marina Abramovich presentava una sorta di

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Intervista al M°FABIO LUISI sulla Tetralogia di Wagner con la regia di Robert Lepage produzione MET

annamaria monteverdi/ luglio 1, 2017/ DIGITAL PERFORMANCE, interactive theatre

L’Orchestra e il Coro del Maggio Musicale Fiorentino, diretti dal Maestro Fabio Luisi, eseguiranno 5 luglio alle 21.15. a Pistoia  la Sinfonia n. 2 di Gustav Mahler proprio dal palco di Piazza Duomo. Arts. Noi lo avevamo incontrato nello splendido foyer del Carlo Felice e gli avevamo fatto alcune domande relative alla sua collaborazione con uno dei massimi registi teatrali contemporanei, Robert Lepage per la produzione

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net:art | near in the distance 3: How close can performers get while performing at different places the world over?

annamaria monteverdi/ giugno 1, 2017/ a Sanchez, DIGITAL PERFORMANCE, Konic, n Bauman, networked performance, Telematic performance

A Multi-Site Sound And Dance Performance Brucknerhaus Linz | Mittlerer Saal Untere Donaulaende 7, 4020 Linz, Austria 1 June, 2017 | 19:00 – Short cut | 30 minutes | for TNC17 participants only 1 June, 2017 | 20:30 – Full version | 80 minutes | for general public net:art | near in the distance 3 is the newest sequel in

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Lulu” di Berg con la regia di William Kentridge dal 19 maggio al Costanzi

annamaria monteverdi/ maggio 9, 2017/ DIGITAL PERFORMANCE

È  come un salto nel buio la Lulu di Alban Berg che va in scena al Costanzi dal 19 maggio, con la firma di uno straordinario artista alla regia, William Kentridge e con la co-regia di Luc De Wit. La misteriosa e affascinante partitura di Berg è affidata alla bacchetta di Alejo Pérez specialista del repertorio contemporaneo, con un nuovo

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XTH Sense: the first biocreative instrument

annamaria monteverdi/ marzo 16, 2017/ DIGITAL PERFORMANCE, interactive performance

After 5 years of development, creative workshops worldwide and published research, the world’s first biocreative instrument, the XTH Sense, is ready! Help us raise the funds needed to manufacture the first batch. Without your help we cannot make it on our own. By pre-ordering the XTH Sense now you contribute to bringing this innovative open hardware and open source technology

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Systorgy, a platform for interactive environment by Marcel.li Antunez Roca

annamaria monteverdi/ marzo 16, 2017/ DIGITAL PERFORMANCE, digital workshop, interactive performance

Systorgy is a platform that offers free tools for writing and subsequent control of interactive environments. Systorgy is based on software and hardware tools developed from 1992 by the artist Marcel·lí Roca Antúnez and his team of collaborators. Since 2002 these tools take the form of the application POL, core labor of Marcel·lí’s interactive work and the Systorgy project. The

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ENJOY FORGETTING: Masbedo a Massa Palazzo Ducale sabato 18 marzo

annamaria monteverdi/ marzo 14, 2017/ DIGITAL PERFORMANCE, Mostre/Spazi allestimento, video, videoarte

Liberamente ispirata ad una frase di David Byrne, a sua volta citata in una delle opere in mostra, Enjoy Forgetting presenta 7 lavori video di artisti internazionali tra più interessanti nel panorama contemporaneo tra cui il duo di videomaker MASBEDO. Ognuna con le sue peculiarità, tecniche e contenutistiche, le opere sono velatamente accomunate dalla ricerca degli artisti di dare un

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No Way Out: Theatre as a Mediatised Practice -20th-21th April, London

annamaria monteverdi/ marzo 14, 2017/ conference, DIGITAL PERFORMANCE

A two day event held at Birkbeck College and London South Bank University (London) focusing TaPRA Performance & New Technologies as a form of mediatised theatre and performance  Organizer: Dr Maria Chatzichristodoulou https://www.lsbu.ac.uk/whats-on/no-way-out-200417 Mediatisation – the increasingly pervasive influence of new media technologies in the form of social institutions and ideological apparatuses on society, culture and consciousness since the late

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Chou, Tung-Yen Emptied Memories

annamaria monteverdi/ marzo 2, 2017/ DIGITAL PERFORMANCE

Theatre company/company produced for: Very Mainstream Studio Inspired by Federico Garcia Lorca’s poem, “Nocturne of Emptied Space”, the scenographer started to explore the space and imagery, writing the theatre’s poems of memories by images, bodies, and technology.   Project description: Emptied Memories is an exploration into space and memory through theater and moving image that director/scenographer Chou, Tung-Yen has undertaken

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Lepage & Wagner: the “machine” by Scène Ethique

annamaria monteverdi/ marzo 2, 2017/ DIGITAL PERFORMANCE

A platform of movable planks The Machine is a 45-ton platform made of two towers that support the 60-foot central shaft. Using cylinder hydraulics, the towers allow the translation and rotation of the shaft. The platform also has 24 movable planks attached to it that are designed to transform into a staircase and wall in which computer-generated images are projected.

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Robert Lepage and the New York MET Opera 2011-2013 (Ring Cycle)

annamaria monteverdi/ marzo 2, 2017/ DIGITAL PERFORMANCE, interactive performance, videomapping

Lepage’s Ring Cycle proved to be the most technically advanced production the Met has embarked upon. Lepage and Met director Peter Gelb are on the record as having tried to imagine the Ring the way Wagner would have staged it if he had access to twenty-first century technology.Video projection and the use of a very unique set required true theatrical

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