Archivi Categorie: DIGITAL PERFORMANCE

KIDNAP@20: The Art of Incarceration A one-day performance symposium Friday 20th July from 12.30pm @ Martin Harris Centre, University of Manchester
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annamaria monteverdi/ maggio 21, 2018/ NEWS

In July 1998, the performance company BLAST THEORY did something a little different. Instead of making a theatre piece about a kidnapping, they actually kidnapped two unsuspecting victims – snatching them out of their daily lives and then imprisoning them, under constant webcam surveillance, for 48 hours. The abductees had made themselves available for kidnap by entering a lottery, which must have seemed like

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Anna Colafiglio: “Attori e alter ego digitali: riflessioni attraverso la lente delle masques technologiques”.
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annamaria monteverdi/ giugno 16, 2018/ DIGITAL PERFORMANCE

Anna Colafiglio “Attori e alter ego digitali: riflessioni attraverso la lente delle masques technologiques”. Il dibattito sul tema del doppio digitale dell’uomo è, al giorno d’oggi, quanto mai attuale. La nuova società digitale che si è sviluppata sulle piattaforme web costituisce, di fatto, una realtà parallela in cui ognuno è attore e attante di una vita ‘altra’ che esiste a

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TPO- CANAPA
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annamaria monteverdi/ giugno 12, 2018/ DIGITAL PERFORMANCE

Davide Venturini compagnia TPO c/o Teatro Fabbrichino Via Targetti, 10/8  – 59100 Prato – Italy Tel. +39 0574 – 461256/468988 Fax +39 0574 – 468988 http://www.tpo.it Skype user davide-venturini

Holograms in 2047 Apologue by Zhang Yimou
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annamaria monteverdi/ marzo 30, 2018/ DIGITAL PERFORMANCE

During 16th-18th of June 2017 the Musion 3D holographic technology was incorporated into the global premiere of conceptual performance “2047 Apologue” at theNational Center for Performing Arts in Beijing, directed by internationally acclaimed film director Zhang Yimou. “2047 Apologue” aims to start a conversation about the relationship between people and technology and where this relationship is heading through the use of traditional martial arts, folk

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2047 Apologue by Director ZHANG Yimou
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annamaria monteverdi/ marzo 30, 2018/ DIGITAL PERFORMANCE

Directed by ZHANG Yimou, 2047 Apologue made its global premiere in Beijing at NCPA in june 2017. 47 Apologue a concept performance in 8 parts by director Zhang Yimou this video is the teaser for the last part of the show called “Weaving Machine” Chinese director Zhang Yimou who is best known for his movies “Raise the Red Lantern”, “Hero” and

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Gli atti del convegno Corps en scène: l’acteur face aux écrans (Paris, Sorbonne nouvelle 2015) on line sulla rivista Archée
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annamaria monteverdi/ marzo 30, 2018/ DIGITAL PERFORMANCE

Le dossier Corps en scène: l’acteur face aux écrans – Bodies on Stage: The Actor Confronted with Screens, présenté par Josette Féral, s’étendra sur plusieurs numéros. ll réunit des textes de théoriciens, d’historiens et d’artistes qui poursuivent et approfondissent les réflexions entamées à ce sujet depuis que la relation entre corps, écrans et dispositifs interactifs a transformé tous les champs de l’art,

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Non solo Studio azzurro. Interattività, performance, gioco. Orf Quarenghi: dal teatro interattivo allo spray-gun contenitore di storie
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annamaria monteverdi/ marzo 29, 2018/ digital art, DIGITAL PERFORMANCE

L’interattività come gioco accomuna molti artisti e performer. Da Myron Kruger che coniò il termine Realtà artificiale e che creò i primi ambienti interattivi in cui lo spettatore con la sua ombra grazie a telecamere, veniva proiettato all’interno di uno schermo dove era rappresentato un mondo fatto di grafiche colorate con cui interagiva (da Videoplace a Glowflow a Metaplay) agli italiani GMM con le varianti da Buddah vision per Mandala system (un sistema di proto

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In libreria il volume sul videomaker Giacomo Verde a cura di Silvana Vassallo per ETS
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annamaria monteverdi/ febbraio 15, 2018/ DIGITAL PERFORMANCE, Verde, videoarte, videopoesia

Tra i pionieri nel campo della sperimentazione con le arti elettroniche in Italia, Giacomo Verde opera da decenni in un territorio di confine, all’incrocio tra diversi linguaggi e generi. Con coerenza, ironia e un’attitudine hacker, da tempo persegue una ricerca est’etica e tecnologica mai disgiunta dall’impegno sociale e politico. Il suo fare artistico privilegia la realizzazione di oper’azioni processuali con una forte

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Interview to Tobias Gremmler, digital artist
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annamaria monteverdi/ gennaio 28, 2018/ digital art, DIGITAL PERFORMANCE, NEWS

Tobias Gremmler (Bio): He started his career as media artist and designer in the early 90s. His work has been shown at Ars Electronica, Transmediale, and theatres like Volksbühne Berlin and Cultural Centre Hong Kong. He blends media art and design with traditional art forms like theatre, music and sculpture. As Designer, he developed digital design solutions for companies such

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Colloque international MASQUES TECHNOLOGIQUES : ALTÉRITÉS HYBRIDES DE LA SCÈNE CONTEMPORAINE
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annamaria monteverdi/ dicembre 3, 2017/ conference, DIGITAL PERFORMANCE

Colloque international 14 et 15 décembre 2017 Le Cube – Centre de création numérique, PARIS20 cours Saint-Vincent92130 Issy-les-MoulineauxLe colloque international Masques technologiques  altérités hybrides de la scène contemporaine, vise à proposer une réflexion sur l’augmentation technologique dans le spectacle vivant à travers le prisme du masque, « lieu d’un passage extrême vers d’autres, identités protéiformes d’où émergent des visions de l’inconnu »(F. Mastropasqua).

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Sophie Lally, Identity, Performance and Technology Practices of Empowerment, Embodiment and Technicity
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annamaria monteverdi/ dicembre 2, 2017/ DIGITAL PERFORMANCE, LIBRI

This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice. Reviews: ‘…this is an important addition to the material on performance and technology and its

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Università di Salerno, Convegno Internazionale di Studi “Digital Poiesis. Rimediazioni, immaginari, narrazioni contemporanee”.
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annamaria monteverdi/ novembre 20, 2017/ conference, digital art, DIGITAL PERFORMANCE

Si svolgerà mercoledì 22 e giovedì 23 novembre, presso il Campus di Fisciano dell’Ateneo di Salerno, nell’aula “Vittorio Foa”, il Convegno Internazionale di Studi “Digital Poiesis. Rimediazioni, immaginari, narrazioni contemporanee”. Al centro delle riflessioni e del dibattito scientifico sono posti i temi delle narrazioni, dell’immaginario audiovisivo e delle pratiche comunicative trasformate dagli ambienti digitali; un’attenzione particolare sarà fornita alle linee

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Call For Papers/Workshops: Innovations in Assessment for Drama, Performing Arts and Musical Theatre One-Day Symposium at Anglia Ruskin University, Cambridge Saturday 3rd March 10am-4pm
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annamaria monteverdi/ novembre 16, 2017/ CALL/OPPORTUNITIES, DIGITAL PERFORMANCE

In the fields of Drama, Performing Arts and Musical Theatre, assessments are often dynamic and exciting moments in the students’ year, with live performances, experimental practice, public facing events, and complex synthesising of theory and practice – all of which can pose significant challenges for students and assessors, and which create a particularly important hot topic when it comes to progression

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La scène-image. Extrait de Bardiot Clarisse, Arts de la scène et technologies numériques : les digital performances, Ouvrage hypermédia
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annamaria monteverdi/ novembre 12, 2017/ DIGITAL PERFORMANCE, essay, interactive theatre

La scène-image (une histoire des images animées sur scène). Clarisse Bardiot Extrait de Bardiot Clarisse, Arts de la scène et technologies numériques : les digital performances, Ouvrage hypermédia, Collection Les Basiques, Leonardo/Olats, juin 2013. Collection dirigée par Annick Bureaud. http://atpssceno2.wixsite.com/atpsscenographies/histoires September 18, 2014 Depuis la fin du XIXe siècle, les images envahissent l’espace scénique, jusqu’à devenir aujourd’hui un phénomène très répandu. À la

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Digital performance: bibliography
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annamaria monteverdi/ novembre 12, 2017/ DIGITAL PERFORMANCE, interactive theatre, LIBRI

Theatre Performance and Technology: The Development of Scenography in the Twentieth Century (Theatre and Performance Practices) Paperback – 19 Sep 2005 by Professor Christopher Baugh (Author) Throughout history, all great theatre cultures have used technology as an important part of performance: as a means to shift and change scenic appearance, and as visual rhetoric, spectacle and show. Revolutionary scientific thinking in the twentieth century, alongside

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INFLUX FESTIVAL, Video a Escena 2017 Barcelona
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annamaria monteverdi/ novembre 8, 2017/ DIGITAL PERFORMANCE, Festival

The fourth edition of INFLUX festival is dedicated to audiovisual performing arts. INFLUX promotes artists who use video and digital media as an integral aspect of artistic expression in their stage proposals. The festival includes works by visual artists, musicians, poets, dancers, performers or theatrical creators who blur the edges. The protagonists of this edition will be Kònic Thtr, Kórnik Trio, Aldo Aranda and Slowflames. INFLUX aims

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INITI, “Anticodes” by Braňo Mazúch
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annamaria monteverdi/ novembre 5, 2017/ DIGITAL PERFORMANCE, interactive theatre

Anticodes is interactive, visual and dance production based on Václav Havel’s collection of experimental poetry from 60’s of the same name. Laterna Magika’s classic and typical use of film footage is replaced in Anticodes by projection and sounds from live sources. The production introduces real-time animations to Laterna Magika, which detects people or objects in pre-determined zones. Here are some

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Hamlet on the Holodeck, Updated Edition The Future of Narrative in Cyberspace By Janet H. Murray
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annamaria monteverdi/ ottobre 11, 2017/ DIGITAL PERFORMANCE

Overview I want to say to all the hacker-bards from every field—gamers, researchers, journalists, artists, programmers, scriptwriters, creators of authoring systems . . . please know that I wrote this book for you.” —Hamlet on the Holodeck, from the author’s introduction to the updated edition Janet Murray’s Hamlet on the Holodeck was instantly influential and controversial when it was first published in

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STEREOPTIK Dark Circus ROMAEUROPA FESTIVAL 11 – 12 novembre 2017 MACRO Testaccio – La Pelanda –
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annamaria monteverdi/ ottobre 1, 2017/ DIGITAL PERFORMANCE

Non fatevi ingannare dal titolo di questo spettacolo: di nero nel Dark Circus dei francesi STEREOPTIK c’è solo l’inchiostro, un uso della luce che riporta ai primordi del cinema e al teatro delle ombre e un bizzarro universo fiabesco abitato da insoliti circensi uniti da un unico e ironico motto: «Come for the show, stay for the woe (venite per lo spettacolo,

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UFO by Ivan Vyrypaev (director Bobi Pricop), National Theatre, Bucarest, 4 October
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annamaria monteverdi/ ottobre 1, 2017/ DIGITAL PERFORMANCE

The Soul, the Last Frontier Are there UFOs? In the beginning, Vyrypaev assures us that yes. He knows it: he crossed the entire world in the search of people who guarantee us that they have seen them. It is only about respectable people, professionals, students, mothers, professors, scientists, businessmen. Whom he discovers all over the world, in Australia, Russia, the

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Robert Lepage at FNT (National Theatre Festival, Bucarest) – 21 October
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annamaria monteverdi/ ottobre 1, 2017/ DIGITAL PERFORMANCE

Dialogue with Robert Lepage and Evgeny Mironov 21 October| “I.L.Caragiale” National Theatre, Tapiserii Hall (Tapestry Foyer) The 27th edition of the National Theatre Festival is the host of two great names of international theatre: Canadian director Robert Lepage and actor Evgeny Mironov, the artistic director of the Theatre of Nations, Moscow. The festival audience will have a chance of a dialogue

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An Intervention by Mike Bartlett, Bucarest
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annamaria monteverdi/ ottobre 1, 2017/ DIGITAL PERFORMANCE

An Intervention by Mike Bartlett 20 October| 20:00 – Act Theatre 21 October| 22:00 – Act Theatre What is friendship? Is it when two people meet several times and talk to each other? Is it intimacy shared by two people? Should I feel different if I have friends? More responsible maybe, happier, more accomplished? How many true friends do I have?

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Colloque international, Masques technologiques : altérités hybrides de la scène contemporaine Paris 14 – 15.12.17
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annamaria monteverdi/ settembre 20, 2017/ conference, DIGITAL PERFORMANCE

Masques technologiques : altérités hybrides de la scène contemporaine Les 14 et 15 décembre 9h30 – 18h Gratuit / Réservation sur lecube.com Public : artistes, chercheurs, étudiants Ce colloque international propose une réflexion sur les enjeux de l’augmentation technologique dans le spectacle vivant à travers le prisme du masque. « Le masque est la tête idéale du théâtre », écrivait le metteur en

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“Strambe storie. Da Saki a Dahl” del Teatro dell’Orsa al Festival della Mente di Sarzana
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annamaria monteverdi/ agosto 31, 2017/ DIGITAL PERFORMANCE

  Monica Morini e Bernardino Bonzani hanno creato, a partire dal libro “Il narratore” di Saki e in collaborazione con il suo illustratore Michele Ferri, uno spettacolo originale per spettatori di ogni età. “Strambe storie” sarà in scena in Liguria nell’ambito del primo Festival europeo dedicato alla creatività e alla nascita delle idee. «L’arte di farsi ascoltare è prima di

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Agrupación Señor Serrano a ROMAEUROPA Festival 2017
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annamaria monteverdi/ agosto 31, 2017/ DIGITAL PERFORMANCE

Agrupación Señor Serrano, BIRDIE 28 – 29 ottobre 2017 Teatro Vascello h 21, domenica 29 h 17 Alcuni uomini giocano a golf mentre, alle loro spalle, decine di migranti, come Gli uccelli di Hitchcock, stanno in bilico sulla cima di un recinto, intenti a scavalcarlo. Da questa fotografia, scattata da José Palazón, e dall’insolito accostamento con il film Gli uccelli, la compagnia catalana

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DandyPunk Live immersive theater at Sundance Festival 2017
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annamaria monteverdi/ luglio 10, 2017/ DIGITAL PERFORMANCE, interactive performance, interactive theatre, videomapping

Trailer for a live, immersive installation at Sundance New Frontier 2017 by Dandypunk, Darin Basile and Jo Cattell “There was an amazing projection mapped, immersive theater piece at Sundance this year by Heartcorps called “Riders of the Storyboard.” Trained street performers interacted with a virtual projection-mapped 2D objects, and through the slight of hand of magic broke these flat objects

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Anticipazione del mio saggio “Les aiguilles et l’opium di Robert Lepage: dall’edizione del 1991 a quella del 2013 (aggiornando il software)”.
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annamaria monteverdi/ luglio 9, 2017/ DIGITAL PERFORMANCE, videomapping

Anticipazione del mio saggio su Les aiguilles et l’opium di Lepage per il volume antologico di Vincenzo Del Gaudio e Alfonso Amendola sul teatro tecnologico. (prima parte)   Revival o ripensamento? Nel 2012 Bob Wilson riproponeva sulle scene, in una nuova versione molto fedele all’originale, il capolavoro senza tempo Einstein on the beach (1976); Marina Abramovich presentava una sorta di

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Intervista al M°FABIO LUISI sulla Tetralogia di Wagner con la regia di Robert Lepage produzione MET
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annamaria monteverdi/ luglio 1, 2017/ DIGITAL PERFORMANCE, interactive theatre, Lepage

L’Orchestra e il Coro del Maggio Musicale Fiorentino, diretti dal Maestro Fabio Luisi, eseguiranno 5 luglio alle 21.15. a Pistoia  la Sinfonia n. 2 di Gustav Mahler proprio dal palco di Piazza Duomo. Arts. Noi lo avevamo incontrato nello splendido foyer del Carlo Felice e gli avevamo fatto alcune domande relative alla sua collaborazione con uno dei massimi registi teatrali contemporanei, Robert Lepage per la produzione

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net:art | near in the distance 3: How close can performers get while performing at different places the world over?
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annamaria monteverdi/ giugno 1, 2017/ a Sanchez, DIGITAL PERFORMANCE, Konic, n Bauman, networked performance, Telematic performance

A Multi-Site Sound And Dance Performance Brucknerhaus Linz | Mittlerer Saal Untere Donaulaende 7, 4020 Linz, Austria 1 June, 2017 | 19:00 – Short cut | 30 minutes | for TNC17 participants only 1 June, 2017 | 20:30 – Full version | 80 minutes | for general public net:art | near in the distance 3 is the newest sequel in

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