The Pygmalion multimedia performance was created by Sila Sveta for the second round of America’s Got Talent TV show and premiered on July 29, 2016.
Ishikawa Watanabe Laboratory at the Graduate School of Information Science and Technology, The University of Tokyo, and Tokyo Electron Device Ltd co-developed a high-speed projector capable of projecting images with a frame rate of 1,000fps. SEE THIS ARTICLE: http://techon.nikkeibp.co.jp/english/NEWS_EN/20150804/430762/?n_cid=nbptec_tecrs The projector has an 8-bit color scale (256 levels) and a resolution of 1,024 x 768. When combined with a high-speed
Digital Playgroundz – Interactive Installation (UPCOMING SHOW: SIGGRAPH CONFERENCES, LOS ANGELES, 30 July – 3 August, 2017) We have developed a digital playground to be embedded to the real environment. It combines two very potent technologies of projection mapping and large-scale motion detection. Basically this system allows to make multitouch area on every flat surfaces. Main benefits are that there
Trailer for a live, immersive installation at Sundance New Frontier 2017 by Dandypunk, Darin Basile and Jo Cattell “There was an amazing projection mapped, immersive theater piece at Sundance this year by Heartcorps called “Riders of the Storyboard.” Trained street performers interacted with a virtual projection-mapped 2D objects, and through the slight of hand of magic broke these flat objects
Master in Advanced Interaction directed by Klaus Obermaier and Luis Fraguada IAAC, Institute for Advanced Architecture of Catalonia Barcelona / Spain
The Master in Advanced Interaction (MAI) is a unique opportunity for Designers, Visual and Performing Artists, Choreographers, Dancers, Architects, Interaction Designers, VJs and DJs, Sound Artists, Scenographers, and profiles from related backgrounds to explore creative uses of technology for experimental and practical purposes. Master in Advanced Interaction The course is aimed at developing and exhibiting prhttps://iaac.net/educational-programs/master-in-advanced-interaction/ojects which define meaningful interaction through
After 5 years of development, creative workshops worldwide and published research, the world’s first biocreative instrument, the XTH Sense, is ready! Help us raise the funds needed to manufacture the first batch. Without your help we cannot make it on our own. By pre-ordering the XTH Sense now you contribute to bringing this innovative open hardware and open source technology
Systorgy is a platform that offers free tools for writing and subsequent control of interactive environments. Systorgy is based on software and hardware tools developed from 1992 by the artist Marcel·lí Roca Antúnez and his team of collaborators. Since 2002 these tools take the form of the application POL, core labor of Marcel·lí’s interactive work and the Systorgy project. The
Lepage’s Ring Cycle proved to be the most technically advanced production the Met has embarked upon. Lepage and Met director Peter Gelb are on the record as having tried to imagine the Ring the way Wagner would have staged it if he had access to twenty-first century technology.Video projection and the use of a very unique set required true theatrical
Very Theatre from Taiwan performs a video, mobilephone interaction act. Fra Click Festival 16 maj 2015 Teatime with Me, Myself and I, a theatrical performance directed by Chou Tung-Yen, to rethink and reframe the shift in the mode of spectating introduced by contemporary artists. The work inherits the original themes – “mobile phone”, “life full of screens” and “media world”
Taller de sistemas interactivos: visión artificial aplicada a las artes performáticas y a la instalación.
https://hangar.org/es/ La performance con sistemas interactivos describe una forma de arte híbrida que combina las artes escénicas, el vídeo arte y la instalación, con las características de las tecnologías interactivas, de donde emergen nuevas cuestiones filosóficas sobre el cuerpo virtual, el escenario aumentado y la transformación del rol del espectador. Este curso está orientado a dotar a los participantes de
Performance and Media Taxonomies for a Changing Field by Sarah Bay-Cheng, Jennifer Parker-Starbuck, and David Saltz An innovative approach for explicating and mapping work at the media and performance nexus Description This timely collaboration by three prominent scholars of media-based performance presents a new model for understanding and analyzing theater and performance created and experienced where time-based, live events, and
CHRISTOPHER BAUGH is Emeritus Professor of Performance and Technology at the University of Leeds. He is himself a professional stage designer, is Chair of the Society for Theatre Research’s Research Committee, was on the planning committee for The Globe Theatre, Bankside, and is editor of the journal Scenography International (with Christine White). Throughout history, scenography has played a significant role
The poetry (and philosophy) of face projection mapping. My interview to NOBUMICHI ASAI, author of the OMOTE project
Nobumichi Asai is one of the best known media artist and projection mapping producer. Graduated from Department of Science, Tohoku University. Currently belongs to WOW Inc. Creative/Technical Director/Media Artist. He is globally acclaimed with face mapping for Lady Gaga at the Grammys 2016, “Connected Colors” for Intel’s global campaign, the laser hologram “Light of Birth” exhibited at La Triennale di Milano
PERHAPS ALL THE DRAGONS – Horror Vacui [#3] – 2014 […in our lives are princesses who are only waiting to see us act, just once, with beauty and courage] One round table with thirty seated screens at one side of the table and thirty audience seats at the other side. Thirty one-on-one narratives. The spectator can choose five he would
“La Machine” que Robert Lepage et Carl Filion ont imaginé pour la présentation du cycle “The Ring” de R.Wagner est sans aucun doute le défi le plus audacieux relevé par l’équipe de Scène Éthique. Un seul équipement répondant aux paramètres de mise en scène des quatre opéras du Ring.
Carl Fillion, né en 1966 dans la province de Québec au Canada, est diplômé de la section scénographie du Conservatoire d’Art Dramatique de Québec en 1991. Fort de son expérience technique, Carl Fillion est très rapidement en demande pour concevoir plusieurs scénographies avec les professionnelles les plus en vues du milieu du théâtre au Québec. Rapidement il se démarque avec
The Tempest runs November 8 to Jan. 21 at the Royal Shakespeare Theatre in Stratford-upon-Avon. FROM: http://iq.intel.com/cinematic-special-effects-come-to-live-theater/?_topic=tech-innovation If you think computer-generated special effects are only for blockbuster movies, then the 2016 stage production of The Tempest by the Royal Shakespeare Company (RSC) might surprise you. Working with Intel and The Imaginarium Studios – the performance capture studio co-founded by actor Andy Serkis
SIRO-A is a revolution in live entertainment, fusing mime, groundbreaking visual effects and an electro soundtrack HERE http://agt.wikia.com/wiki/Siro-A
Le groupe de danse japonais ENRA réalise une performance chorégraphique intitulée “FUMA-KAI” devant un mur de projection où les danseurs vont interagir avec les animations projetées en guise de décor. Sous la direction de Nobuyuki Hanabusa, la troupe ENRA est composée des danseurs Maki Yokoyama, Saya Watatani, Tachun, Yusaku Mochizuki et Tsuyoshi Kaseda. Ce spectacle de danse multimédia a été
New face projection mapping work using Real-Time Face Tracking “Connected Colors” is included within the Intel Corporation experience amazing campaign. “Connected Colors” which was planned and produced with the technical direction by media artist Nobumichi Asai (WOW), conceptualizes the coexistence of life. The motif is centered on the colors of nature, and is an expression of electric make-up in the
6D VIDEOMAPPING FOR THE ROCK OPERA “CRIME AND PUNISHMENT” BY RUSSIAN-AMERICAN DIRECTOR ANDREI KONCHALOVSKY
Polymedia, a technical partner of the Moscow Musical Theatre for the play All about Cinderella, helped to prepare a new production. In the fifth theater season, the company worked on a project to stage a rock-opera version of Fyodor Dostoevsky’s classic novel, Crime and Punishment, in Moscow. Polymedia prepared an innovative solution – 6D video mapping – for the implementation
The Pygmalion multimedia performance was created by Sila Sveta for the second round of America’s Got Talent TV show and premiered on NBC Channel on July 29, 2016. Producers: Alexey Rozov, Denis Astakhov, Andrey Kostyuk Art Director: Ilya Balakin Creative Director: Alexander Us Project Manager: Sveta Yermolayeva Production Director: Vadim Vinogorov Technical Production: Mursal Mamedov, Maxim Tulin Supervisor: Vladimir Mischenko
‘Levitation’ is a collaborative performance by Sila Sveta and Anna Abalikhina shown on the TV show ‘Big Ballet’. All visuals were rendered in real time without any post production. More on Behance: behance.net/gallery/35393229/LEVITATION http://silasveta.com/ For us it was an opportunity to experiment with no limitations and test technologies developed in-house by the studio itself. We produced special graphics and
Yago de Quay is featured using RealSense cameras and Curie-enabled wristbands that track hand gestures and location and use that data to control music and visuals. A project that took 3 months of working with the Intel to develop unique wristbands, gesture algorithms, radio transmission, music, visuals and dance. Team: Peter Sistrom – Visual Artist Yago de Quay – Performer
The performer (vocalist) wear various technologies that allows the broadcast of his brain and body bio-signals through wi-fi connection. An electroencephalogram by Emotiv reads his brain waves to enable deliberate mental tasks and facial expressions to manipulate visual and musical parameters. A gyroscope sensor on his upper chest, attached to the under shirt, reports body orientation. A windows 8.1 tablet
Rodrigo Carvalho [VISIOPHONE], is a Designer & Interactive New Media artist from Porto/Portugal. His work on live visuals, coding and interactive art involves a range of different outputs, from screen digital work, interactive installations, audiovisual live acts, or interactive visuals for stage performance. His research is focused in the real-time relations between sound, image and movement in audiovisual interactive spaces. Vimeo
Laser dance Mirror family production Kvant https://www.kvantlasers.sk/ Kvant Laser show “The Prolight+Sound 2014, 56 KVANT lasers were used: 41 x ATOM 800 9 x SPECTRUM 20 3 x SPECTRUM 5000 2 x ATOM 1500XT 1 x ATOM 6000 Laser show by DR Enchant Intesity http://www.e-intensity.com/ Draw in lights is a unique contemporary project connectiong fine art | electronic music | lights | lasers.
This laser show was produced by KVANT crew for Prolight+Sound 2015 that took place in Frankfurt, Germany. 50 KVANT laser systems were set in circular configuration to perform many new and innovative laser effects. In conjunction with other visual media and strong dance performance this show proved to be one of the best in the hall – that’s what we
GIORGIO BARBERIO CORSETTI, Il ratto di Europa 10 novembre – 13 novembre 2016 giovedì, venerdì e sabato h 21 – domenica 13 h 17 Aula Ottagonale delle Terme di Diocleziano – Palazzo Altemps Da sempre impegnato nella sperimentazione delle nuove tecnologiche applicate alla rappresentazione scenica, Giorgio Barberio Corsetti torna a Romaeuropa Festival con il ritratto di un’Europa sospesa tra i fasti