Archivi Categorie: interactive theatre

La scène-image. Extrait de Bardiot Clarisse, Arts de la scène et technologies numériques : les digital performances, Ouvrage hypermédia

annamaria monteverdi/ novembre 12, 2017/ DIGITAL PERFORMANCE, essay, interactive theatre

La scène-image (une histoire des images animées sur scène). Clarisse Bardiot Extrait de Bardiot Clarisse, Arts de la scène et technologies numériques : les digital performances, Ouvrage hypermédia, Collection Les Basiques, Leonardo/Olats, juin 2013. Collection dirigée par Annick Bureaud. http://atpssceno2.wixsite.com/atpsscenographies/histoires September 18, 2014 Depuis la fin du XIXe siècle, les images envahissent l’espace scénique, jusqu’à devenir aujourd’hui un phénomène très répandu. À la

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Digital performance: bibliography

annamaria monteverdi/ novembre 12, 2017/ DIGITAL PERFORMANCE, interactive theatre, LIBRI

Theatre Performance and Technology: The Development of Scenography in the Twentieth Century (Theatre and Performance Practices) Paperback – 19 Sep 2005 by Professor Christopher Baugh (Author) Throughout history, all great theatre cultures have used technology as an important part of performance: as a means to shift and change scenic appearance, and as visual rhetoric, spectacle and show. Revolutionary scientific thinking in the twentieth century, alongside

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ESPAI NO TÀCTIL (interactive and telematic performance Site Specific-INFLUX) by KONIC

annamaria monteverdi/ novembre 8, 2017/ interactive performance, interactive theatre, Konic, performance

Un concert-dansa-performance amb configuració variable i site specific. El projecte explora la complementarietat i les relacions entre el tàctil i el no tàctil: espai cos = tàctil / espai psicològic = no tàctil. Un encontre dansat de personatges que mai podran tocar-se però sí comunicar-se des de la distància. Un entrellaçat fluir de moviments, música i imatges produïdes en directe que ofereix a

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INITI, “Anticodes” by Braňo Mazúch

annamaria monteverdi/ novembre 5, 2017/ DIGITAL PERFORMANCE, interactive theatre

Anticodes is interactive, visual and dance production based on Václav Havel’s collection of experimental poetry from 60’s of the same name. Laterna Magika’s classic and typical use of film footage is replaced in Anticodes by projection and sounds from live sources. The production introduces real-time animations to Laterna Magika, which detects people or objects in pre-determined zones. Here are some

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TALOS by Arkadi Zaides, VIE FESTIVAL. A keynote presentation that examines the relation between movement, innovative technologies and the future of borders

annamaria monteverdi/ ottobre 7, 2017/ interactive theatre

L’Europa sta chiudendo i suoi confini e nelle aree circostanti sta emergendo un nuovo tipo di coreografia. Lontano dal porre fine ai movimenti migratori, le chiusure dei confini generano nuovi movimenti. TALOS, il nuovo solo del coreografo israeliano Arkadi Zaides, indaga il futuro dei confini. Il suo punto di partenza è TALOS, un progetto tecnologico creato dall’Unione Europea, un sistema robotico

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DandyPunk Live immersive theater at Sundance Festival 2017

annamaria monteverdi/ luglio 10, 2017/ DIGITAL PERFORMANCE, interactive performance, interactive theatre, videomapping

Trailer for a live, immersive installation at Sundance New Frontier 2017 by Dandypunk, Darin Basile and Jo Cattell “There was an amazing projection mapped, immersive theater piece at Sundance this year by Heartcorps called “Riders of the Storyboard.” Trained street performers interacted with a virtual projection-mapped 2D objects, and through the slight of hand of magic broke these flat objects

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Intervista al M°FABIO LUISI sulla Tetralogia di Wagner con la regia di Robert Lepage produzione MET

annamaria monteverdi/ luglio 1, 2017/ DIGITAL PERFORMANCE, interactive theatre

L’Orchestra e il Coro del Maggio Musicale Fiorentino, diretti dal Maestro Fabio Luisi, eseguiranno 5 luglio alle 21.15. a Pistoia  la Sinfonia n. 2 di Gustav Mahler proprio dal palco di Piazza Duomo. Arts. Noi lo avevamo incontrato nello splendido foyer del Carlo Felice e gli avevamo fatto alcune domande relative alla sua collaborazione con uno dei massimi registi teatrali contemporanei, Robert Lepage per la produzione

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Master in Advanced Interaction directed by Klaus Obermaier and Luis Fraguada IAAC, Institute for Advanced Architecture of Catalonia Barcelona / Spain

annamaria monteverdi/ marzo 18, 2017/ CALL/OPPORTUNITIES, interactive performance, interactive theatre, Master e workshop

The Master in Advanced Interaction (MAI) is a unique opportunity for Designers, Visual and Performing Artists, Choreographers, Dancers, Architects, Interaction Designers, VJs and DJs, Sound Artists, Scenographers, and profiles from related backgrounds to explore creative uses of technology for experimental and practical purposes. Master in Advanced Interaction The course is aimed at developing and exhibiting prhttps://iaac.net/educational-programs/master-in-advanced-interaction/ojects which define meaningful interaction through

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Digital Theatre: Teatime with me myself and I (Taiwan)

annamaria monteverdi/ febbraio 5, 2017/ DIGITAL PERFORMANCE, interactive performance, interactive theatre

Very Theatre from Taiwan performs a video, mobilephone interaction act. Fra Click Festival 16 maj 2015 Teatime with Me, Myself and I, a theatrical performance directed by Chou Tung-Yen, to rethink and reframe the shift in the mode of spectating introduced by contemporary artists. The work inherits the original themes – “mobile phone”, “life full of screens” and “media world”

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BIRDIE Agrupación Señor Serrano

annamaria monteverdi/ novembre 28, 2016/ DIGITAL PERFORMANCE, interactive theatre

BIRDIE Agrupación Señor Serrano 1 – 2 dicembre 2016 ore 21.00 Lo spettacolo si terrà c/o TeatroLaCucina, ex Ospedale Psichiatrico Paolo Pini (via Ippocrate 45 – MM3 FN Affori, NB uscita via Ciccotti) Stormi di uccelli migratori che formano indecifrabili disegni in cielo. Movimento. Vita. Nulla nel cosmo sta fermo. Che senso ha costruire muri e recinzioni per fermare gli stormi di

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Theatre and Technology

annamaria monteverdi/ novembre 27, 2016/ DIGITAL PERFORMANCE, interactive theatre

How do we create a theatre for the digital age? Is technology fundamentally changing the ways in which we engage with and make performance? Matt Adams (Co-Founder and Artist, Blast Theory), David Sabel (Head of Broadcast and Digital at the National Theatre) and Tassos Stevens (Co-Director, Coney) discuss how digital technology is revolutionising performance. Chaired by Headlong’s Artistic Associate, Sarah

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