Archivi tag: eastap

Uscito il primo numero dell’European Journal of Theatre and Performance. Contiene il saggio di AMM sul Teatro di Jeton Neziraj.
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We are delighted to announce publication of the first issue of the European Journal of Theatre and Performance, the journal created by the European Association for the Study of Theatre and Performance (EASTAP). The association was established in 2017 in order to bring together researchers and theatre practitioners and to share knowledge about the various approaches and research methods employed in theatre and performance (www.EASTAP.com). The journal is an essential part of this enterprise whereby we are seeking to develop the academic discipline through exploring new avenues of research. The association aims to encourage ongoing dialogue between theory and practice, and to be a place where the theatre can reflect on itself in relation to the world around us. It also aspires to develop critical thinking about the concepts that lie at the heart of aesthetic and theatrical activity in Europe and beyond.

The journal is produced under the joint editorship of Agata Łuksza and Didier Plassard, and it will be published once a year.  Each issue will consist of 4 sections: an Essay section based on a specific theme for each issue, a Focus section dealing with the work of a particular director, an Archive section that will make available previously unpublished or poorly distributed documents, and finally a Book Review section that will focus on recently published scholarly books. While the principal language of the publication is English, the journal also welcomes articles written in other European languages.  The editors are supported and advised by an Editorial Committee composed of Maria-João Brilhante, Nancy Delhalle, Milija Gluhovic, Lorenzo Mango and Aldo Milohnic. Non-members will have to pay for access to articles for the first year but thereafter the journal will be available on open access.

European Journal of Theatre and Performance – N° 1

The first issue of the journal, which has just been published, is concerned essentially with the question of Europe. The Essay section is entitled Spectres of Europe: European Theatre between Communitarianism and Cosmopolitanism, and consists of articles selected by Aldo Milohnic and Agata Luksza. These explore the relationship between theatre practice and issues of communitarianism and cosmopolitanism, paying particular attention to the ways in which artists and theatrical institutions have intervened critically in debates concerning national, European or civic identity. The authors of the eight selected articles (Nikolaus Müller-Schöll, Rosaria Ruffini, Jasper Delbecke, Dick Zijp, Simon Bell, Anna Maria Monteverdi, Tom Nicholas and Kathrin-Julie Zenker) analyse some of the many contradictions at the heart of these debates, and highlight the critical and progressive role played by artists and theatre companies in contemporary Europe.

The Paradoxes of Kosovo in the Theatre of Jeton Neziraj

 

The Focus section is devoted to Milo Rau and brings together unpublished texts and interviews as well as a selection of photographs from a number of his productions.

From the Archives contains the text of an unpublished play by director and theorist Edward Gordon Craig. The play was written in 1916, and is entitled The Skeleton. It is accompanied by two epilogues, dated that same year. In his introduction, Didier Plassard discusses how this attempt at “realistic” theatrical writing, something of a paradox in relation to the rest of Craig’s work, contains features that foreshadow the poetics of postdramatic theatre practice.

We would like to take this opportunity to express our warmest gratitude to all the contributors to this issue, to the photographers, as well as to the institutions that have shown confidence in us and authorised us to publish documents in their possession, in particular the International Institute of Political Murder, the Edward Gordon Craig Estate, and the Institut International de la Marionnette.

A detailed table of contents for the issue is set out below. Access to the journal is free of charge for members of EASTAP. Simply log in with your name and password. For non-members, access to a given article will cost 3 euros. A tab will guide you to the payment module. It is also possible to access the entire issue for 25 euros  (http://eastap.com/journpress/eastap-journal/).

Josette Féral                                            Didier Plassard  and Agata Luksza

EASTAP President                                  Journal editors-in-chief

EASTAP-European Association for the theatre and performance FIRST CONFERENCE IN PARIS OCTOBER 25 – 27, 2018
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PARIS, 25 – 26 – 27 OCTOBRE

Fondée en octobre 2017 à Paris, l’EASTAP se propose de rassembler chercheurs et artistes européens afin de favoriser et promouvoir les multiples méthodes et approches pratiquées en matière de recherche dans les disciplines du théâtre et de la performance en incluant les différents arts de la scène, notamment la danse, la marionnette et le cirque, l’opéra et toute autre forme d’art vivant.

Milo Rau sera l’artiste associé à ce premier grand événement

CREATION OF EASTAP & PRESIDENT MESSAGE

Dear colleagues and friends,

I have the great pleasure of announcing that the EUROPEAN ASSOCIATION FOR THE STUDY OF THEATRE AND PERFORMANCE (EASTAP) was created on 7 October 2017 in Paris on the occasion of a general meeting where colleagues from 25 countries were present.

EASTAP GENERAL ASSEMBLY 7 OCTOBER 2017- PARIS

You will find below the names of the elected members of the Executive Committee as well as the members in charge of the task forces, who have the responsibility of launching the Association and guiding it into the future. Should you wish to join any of these task forces, you are most welcome.

This is a challenging undertaking and we intend to make the best of our disciplines (theatre, performance, dance, opera, circus, puppet theatre…), speak up for our field, promote and ensure a variety of approaches to theatre and performance (from performance studies to aesthetics as well as historical perspectives), collaborate with other national as well as international associations, organize international events and commit ourselves fully to our aims. We will have conferences and small events, as well as an online journal. We welcome scholars, artists, students, theatre directors, actors as well as institutions (theatres, conservatories, specialized librairies…).

We intend ambitiously to allow for a dialogue between theory and practice, in order to highlight the variety of methodologies and theoretical approaches to our field that can be applied to our field. We will also work to allow a range of languages to be used within the Association and its events.  English and French will be used more often, to facilitate communication. We also intend to help the publication and translation of books in different languages. Above all, our goal is to create a rich network of relations and links across Europe and beyond Europe.

I would like to seize this opportunity to thank all those who have given us their support during this year of discussions and meetings, or who have written to me enthusiastically with words of support. EASTAP definitely meets a need. We will continue to lay its foundations at a further meeting in Venice on 26 and 27 January 2018. More information will follow on this as well as on our first conference, which will take place in Paris in autumn 2018.

Some 250 members have already pre-registered. If you wish to do so, here is the link: https://goo.gl/VnKnBf.
No payment is required yet. Please spread the word. The more we are, the more impact we will have.

I look forward to hearing from all of you.

Josette Féral

President, EASTAP
European Association for the Study of Theatre and Performance

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