Archivi Tag: Neziraj

The Paradoxes of Kosovo in the Theatre of Jeton Neziraj by Anna Monteverdi-European Journal of Theatre and Performance – N° 1
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annamaria monteverdi/ Marzo 15, 2019/ NEWS

At the core of this essay are the paradoxes of Kosovo, the youngest country in Europe as reflected in the theatre of Jeton Neziraj from Pristina, one of the most representative playwrights in the Balkans. Neziraj’s controversial and often censored texts, written in an absurd and ironic style, deal with current and burning social topics in Kosovo, the paradoxical realm

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Uscito il primo numero dell’European Journal of Theatre and Performance. Contiene il saggio di AMM sul Teatro di Jeton Neziraj.
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annamaria monteverdi/ Marzo 15, 2019/ Anna Monteverdi

We are delighted to announce publication of the first issue of the European Journal of Theatre and Performance, the journal created by the European Association for the Study of Theatre and Performance (EASTAP). The association was established in 2017 in order to bring together researchers and theatre practitioners and to share knowledge about the various approaches and research methods employed in

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55 SHADES OF GAY – Balkan spring of sexual revolution by Jeton Neziraj (Txt), directed by Blerta Neziraj
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annamaria monteverdi/ Agosto 7, 2017/ NEWS

55 SHADES OF GAY – Balkan spring of sexual revolution – Premiere: 8 september, 2017, National Theater of Kosovo Author: Jeton Neziraj / Directed by: Blerta Neziraj / Actors: Tristan Halilaj, Bujar Ahmeti, Shengyl Ismaili, Semira Latifi, Alketa Sylaj / Stage and costumes: Sebastian Ellrich / Music: Irena Popovci / Choreography: Florian Bilbao. www.qendra.org  /  info@qendra.org The Qendra Multimedia, based in Prishtina,

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“Nuovo Teatro in Kosovo”, video di Anna Monteverdi
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annamaria monteverdi/ Febbraio 7, 2015/ FOCUS, video

Chi avrebbe mai immaginato l’esistenza di un Teatro nel Kosovo? Chi avrebbe mai speso gli ultimi due anni a promuovere il Teatro di un paese, uscito da una guerra fratricida e da pochissimo tempo resosi indipendente? Una studiosa, fascinosamente attratta dai nuovi media e dalla tecnologia, lo ha fatto affidandosi ad un genere come il documentario. Con la “scrittura collettiva”

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