Archivi tag: videoart

Call for videoart. Over the real 2016
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Over The Real presents the most significant lines of research emerged in recent years 
in the international audiovisual arts. Four days of screenings, workshops, talks, performances and side events

Call for entries for the second edition of the International Video Art Festival of Viareggio “Over the Real”.   Art Direction Maurizio Marco Tozzi Lino Strangis
Scientific Committee Veronica D’Auria

The Festival presents the most significant lines of research emerged in recent years in the international audiovisual arts. The Festival is the understanding of the Modern and Contemporary Art Gallery of Viareggio, with the cultural association VAP Viareggio, CARMA- Center of Arts and Multimedia Applied research in Rome and other prestigious international players.

Over The Real aims to create an opportunity for meeting and promotion for medium Italian and foreign artists (who work in the field of video art channel, the video installations, sound art, the multimedia performances and multimedia installations) which favors visibility and contacts with the public, with curators, art critics and cultural institutions that already during the first edition of the Festival has attracted. The selected works will show during the second edition of the International Festival of Video Art Over The Real will be in Viareggio at GAMC Lorenzo Viani, in November from 17 to 20 2016. 

PARTICIPANTS Artists wishing to participate must be over 18 years old. 2-

WORKS a) Each artist or group of artists may submit up to one video work.b) No works are accepted with a date prior to 2014. c) The file should be labeled with title, length, year and author. You can send a download link to the video file that can be found in any of the currently used standard formats (AVI, MOV, MP4 or MPG) and must be encoded with any of the following codec: H.264 AVC or MPEG-4 MPEG 2-4. We recommend that the file does not exceed 1GB (one gigabyte) in size, for easy downloading of the video. We recommend a minimum height of frame 720. d) The recommended maximum duration of 10 minutes. e) The theme will be free. f) May not be submitted works that have been presented in previous editions of OVER THE REAL 3- IS REQUIRED TO ACCOMPANY ALL WORKS a) Application form signed by the artist (below these lines). b) Biography professional of the artist or artists. (maximum 1500 strokes) c) A brief synopsis of works. (maximum 1000 strokes) d) N. 3 still digital image (jpg 300 dpi).

4 – SHIPPING ADDRESSES THE MATERIAL The download link should be sent to : info@overthereal.com 5- DATE OF DELIVERY a) Works can be submitted by download link until Septmber 11 of 2016. b) The Festival until October 9 of 2016 will send a confirm email to every artists whose works will be accept. 6- ADMISSION a) All works will become part of files Festival for use in cultural performances, noncommercial purposes and as part of the event. b) The jury is composed by: Maurizio Marco Tozzi, Lino Strangis, Veronica D’Auria 7- RETURNS The works submitted to the festival will not be returned to their authors. All works will become part of the video library of the Festival and may be presented for cultural and / or educational (in any not commercial case) by broadcast channels that the direction of the festival deems appropriate. 8- COMMENTS The organizers reserve the right the exhibition of the works that may be harmful to human rights. Taking part in the festival implies full acceptance of these rules. NOTE: The omission or misrepresentation of any information requested generated exclusion from the competition. The applications that are not complete will not be considered accepted.

Lino Strangis, Pensiero volante non identificato-720048

LA PEDRERA: GRANADOS MOVEMENTS. Spettacolo interattivo di Xavi Bové 12 febbraio
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An unusual self-produced show Friday February 12, at 7pm and 8.30pm, specially designed for La Pedrera and directed by Xavi Bové, in which pieces by Enric Granados are visually represented by analysing the sound of the instruments played live and the movements of the conductor. A show on the façade of La Pedrera harmoniously linking light, music and architecture. It is also tribute to the great Catalan composer Enric Granados in the context of the celebrations for the centenary of his death. The spectacle is a participatory interactive experience too, as, after each show, the audience can take the conductor’s place and make La Pedrera “move” with the interaction of the movements of their bodies and the light projected on the façade.

An amazing, innovative interactive and artistic experience using technology that also plays with the physical textures of Gaudí’s architecture. In this way, for the second year running, Catalunya-La Pedrera Foundation is joining in with the LLUM BCN Festival, a circuit of light installations bringing together tradition, art and technology taking place during the festival of Saint Eulalia. The show is being organised with a view to putting an artistic event that makes the most of the heritage Barcelona has from Gaudí back on the city’s calendar of cultural activities. This ground-breaking show is in line of the foundation’s projects to promote creative research and support musical talent.

CASA MILÀ “LA PEDRERA”

Passeig de Gràcia, 92. 08008, Barcelona.

Xavi-Bove1-1024x720

XAVI BOVÉ Artistic director

Xavi Bové, Lleida, 1978. With a technical education as a telecommunications engineer he very soon made the leap to artistic expression, always seeking to build bridges between artistic disciplines, largely visual and musical ones. In the process he has directed many live opera performances, concerts and recitals at the Gran Teatre del Liceu in Barcelona; artistically directed stage shows music groups (pop, rock and electronica); created advertisements, videos and pieces of video art and directed showings live projections for musical events on unconventional surfaces, such as trees, light aircraft, cars, balloons, etc.

He is artistic director of FIMG, the Girona International Mapping Festival. Besides this, he is constantly researching the relationship between emotions and mathematics, as well as stimuli and the senses: the well-known synesthetic effect.

His projects have brought him a long list of prizes and awards, like best international DVD of the year for the opera Le Grand Macabre, presented by the French critics. He has recently been awarded second prize at the Girona International Mapping Festival for his work “El cicle de la vida” (The life cycle) of music and images in real time.

www.xavibove.com

 

Credits:

Project:  Fundació Catalunya-La Pedrera
Artistic director: Xavi Bové
Violin: Joel Bardolet
Cello: Oriol Prat
Piano: Carles Marigó
Musical director: Raúl Patiño
Visuals production:  Playmodes
Technical manager: Eloi Maduell
Application architecture: Miquel A. Soler
Visuals: Nacho Cossío
Movement: Eduard Frigola
Audio analysis: Eduard Frigola, Miquel A. Soler
Sound design: Santi Vilanova
Graphics: Gerard Vallverdú
2D models: Marta Barnolas
Technical team: BLOCK

Acknowledgements:

ESMUC and ICUB

Robert Wilson’s Video Portraits at the Video Biennial lichtsicht 5, Bad Rothenfelde, Germany
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Robert Wilson’s Video Portraits have been shown in the most prestigious museums around the world. This year, they will be part of the Video Biennial lichtsicht 5 in the town of Bad Rothenfelde, Germany. For the first time ever the Video Portraits will be projected on large surfaces outdoors in the spectacular setting of a giant salina. The lichtsicht 5 Biennial is curated by Peter Weibel, director of the ZKM Center for Arts and Media.

More information here (free admission)

Robert Wilson is one of the rare artists who works across artistic media without being buoyed by one method of making. The process of creation transcends a single medium and instead finds outlet within the archetype of an opera, the architecture of a building, the stains in a watercolor drawing, the design of a chair, the choreography of a dance, the rhythm of a sonnet, or the multiple dynamics revealed in a Video Portrait.

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By incorporating a multitude of creative elements; lighting, costume, make up, choreography, gesture, text, voice, set design, and narrative – the video portraits act as a complete synthesis of all the media in the realm of Wilson’s art making.  The canvas or High Definition (HD) screen is one thing, blending the environmental and spatial aspects of a stage with a new sensibility for Wilson’s direction. The medium is HD video but the form blurs time-based cinematography with the frozen moment of still photography. As in the layering nature of Wilson’s creative process, the video portraits infuse references found in painting, sculpture, design, architecture, dance, theater, photography, television, film and contemporary culture.  The final result on the HD monitor resembles a photograph, but on closer inspection reveals Wilson’s highly developed theatrical language in conjunction with the startling clarity and precision of HD video.

https://www.youtube.com/watch?v=gO5Z6j51JKc

 

Call for Artists: WITHOUT WORDS FILM FESTIVAL
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“Without Words Film Festival” celebrates once a year since 2014, video art that uses words only to announce its title and author.

Words are everywhere. In each sphere of society, they reflect our thoughts, reflexions and ideas.
Spoken or written, they convey stories, information and messages.
The only exception to this hegemony of words is arts.
Painting, sculpture, music, photography, installation and video art are the only mediums that are able to convey a message without the use of words.

“Without Words Film Festival” takes place at the end of November at University of Lorraine, Ile du Saulcy in Metz (France). It begins with a special contest open to Lorraine University students.
Each year, the members of the jury of “Without Words Film Festival” reward the three videos they prefer.

The theme of “Without Words Film Festival” 2015 is: “Time distorsions”.

Regulations :
1) Deadline to send your videos : September 15, 2015, exclusively by review link (vimeo, youtube, etc.)
2) There is no entry fee
3) Each author can send a maximum of 2 videos
4) The videos sent must be related to the theme “Time distorsions” and must not have been produced before 2013
5) The submitted videos have to last between one and ten minutes
6) If selected, the author will be asked to send a HD quicktime file by wetransfer
7) The result of selections will be communicated to the artists in November 2015
8) Required information to be sent to withoutwords@free.fr :
– Title
– Author
– Length
– Year of production
– Synopsis
– Review link

LINK:

http://withoutwords.free.fr/

Open call to new media artists for creative videos, generative videos
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From Digitalarti.com

After the initial success of our previous call with international artists signed for exclusive videos for airports and airlines around the world, Digitalarti is currently curating new media video artworks for additional clients to be exhibited in hotel lobbies, corporate headquarters and more.

The theme of this call is open. We currently have requests for (but the call is not limited to those themes) generative videos using company data, creative videos around the themes of the sea and water, videos with a quiet or smooth atmosphere, etc.

We welcome submissions of sample artworks, you foresee as providing a great experience in these exhibition conditions. These artworks can in HD or be already in UHD/4K format. The first step of this call is closing on October 15th.

Videos may have a duration around 2 to 5 minutes. Videos can be generative. These artworks will be exhibited around the world, Europe, US, Asia, Middle-East depending on clients location. Also depending on clients needs (and budgets)

Contracts can be on exclusive or non-exclusive bases, thanks to specify available rights.
Artist fees will be negotiated and paid for each diffusion. They may be projected for evenings diffusion for a corporate evening or an exclusive and permanent installation ( not the same amounts of course).

If you need any informations and to submit, feel free to contact us at info@digitalarti.com

HANGARBICOCCA: Summer Casino Live music, film, DJ set A cura di Damián Ortega e Pedro Rocha
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Summer Casino è il programma estivo di HangarBicocca dedicato alla mostra di Damián Ortega “Casino”, che mixa contenuti culturali ed entertainment, musica  dal vivo, dj-set e video, e abita per tre giorni gli spazi interni ed esterni di HangarBicocca con un palinsesto ininterrotto dalle 20.00 all’una di notte. Le serate si aprono con un programma video di artisti internazionali e della scena indipendente messicana ispirati al progettoAlias Editorial di Damián Ortega con opere di Ulises Carrión, Minerva Cuevas, Dan Graham, Melquiades Herrera, Rubén Gámez, Manuel Rocha Iturbide. Dalle 22.00 in poi, live musicali affidati a gruppi e dj-set la cui ricerca si sviluppa tra cultura elettronica, sperimentazione e ardite rivisitazioni di sonorità etniche e popolari, con un processo di decostruzione e reinvenzione di materiali e tematiche in continuità con la ricerca di Damián Ortega.

Ingresso libero fino a esaurimento posti
Mercoledì 15 luglio 2015 lo spazio espositivo aprirà alle ore 19.00

Mercoledì 15 luglio 2015

20.00 – 21.00  Alias Video Program n.1
22.00 – 23.30  Live music: Lorenzo Senni
23.30 – 01.00  DJ set: Palm Wine

Giovedi 16 luglio 2015

20.00 – 21.00  Alias Video Program n.2
22.00 – 23.30  Live music: Matias Aguayo
23.30 – 01.00  DJ set: Borusiade

Venerdì 17 luglio 2015

20.00 – 21.00  Alias Video Program n.3
22.00 – 22.45  Live music: The Durian Brothers 
22.45 – 23.30  Live music: Harmonious Thelonious 
23.30 – 01.00  DJ set: Don’t DJ and Mr Mueck

La sala delle proiezioni delle ore 20.00 ha una capienza massima di 70 persone.

 

Media Partner  

Open Call Festival InShadow: Video, Performance and Technologies
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Follow your shadow and apply with your works in the genres of video dance, documentary, performance, installations, animation and 1minute video dance here: http://bit.ly/1tOwEm9
spot: vimeo.com/120149641

InShadow 2015_Call for entries-01

Festival description:

InShadow – International Festival of Video, Performance and Technologies is an initiative of Vo’Arte, in co-production with São Luiz Teatro Municipal in Lisbon, which has already established itself as a reference in contemporary artistic creation and programming, with emphasis on the convergence of language between body and image, based on technology.

InShadow explores interdisciplinary atmospheres through aesthetic solutions and technical representation of body on screen, on stage and in other platforms. Genres and language intersect in video, performance, installations and exhibitions that present the vitality of a dialogue between established artists and emerging creators.

The program includes an international competition of videodance and documentaries, performances, a section aimed at children and youth, workshops and masterclasses, as well as exhibitions and installations, that expand the Festival by the city.

 

Gary Hill, Depth Charge, Opening February 26, Galleria Lia Rumma (Mi)
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La Galleria Lia Rumma via Stilicome 19 Milano ospita dal 26 febbraio alle 19 la terza personale italiana di Gary Hill, dal titolo Depth Charge. Dopo le personali del 1996 e del 1999, presentate rispettivamente a Napoli e a Milano, nella prima sede di Via Solferino, l’artista californiano esporrà sui tre piani della galleria due lavori recenti: Klein Bottle, Pacifier e  quattro lavori storici: Depth Charge, Isolation Tank, Learning Curve and Sine Wave.

Noto per l’utilizzo del video “come la forma di espressione più vicina al pensiero”, Gary Hill (Santa Monica, California, 1951), incentra la sua ricerca sulle relazioni tra codice verbale e immagini elettroniche e digitali.
Il suo lavoro indaga infatti le modalità di percezione, la diversità dei linguaggi (parlato, scritto e gestuale) e le dinamiche scaturite dalla combinazione di elementi visivi e sonori generati elettronicamente.
Dalla metà degli Anni ’70 realizza video e video-installazioni, complesse e spesso scenografiche, in grado di coinvolgere attivamente lo spettatore.
I sei lavori, intorno ai quali Hill ha costruito la sua terza personale da Lia Rumma, sono chiaramente esplicativi della sua rigorosa ricerca artistica e della varietà dei processi di elaborazione.
In Depth Charge (2009-2012), che dà anche il titolo alla mostra, Gary Hill combina due precedenti opere: la proiezione è infatti un riferimento a Varèse 360, in cui la composizione, Un Grand Sommeil Noir (1906) di Edgard Varèse, è interpretata dal musicista/compositore Bill Frisell alla chitarra elettrica, mentre i cinque monitor a terra ripropongono l’opera The Psychedelic Gedankenexperiment, nella quale l’artista indaga le alterazioni psichiche dovute all’assunzione di dietilamide dell’acido lisergico (LSD).
La presenza stessa dell’artista e della sua voce, frequente nel suo lavoro, crea uno stato di sospensione e invita il visitatore a un ascolto e a una visione attenta dell’opera, come accade in Sine Wave (2011) e in Isolation Tank (2010-2011), dove un video interamente creato dal computer e il suono generato da un sintetizzatore danno vita a un’opera di forte impatto.
Learning Curve (1993) è invece un omaggio al surf e alla relazione conoscitiva tra prassi e teoria. In quest’opera lo spettatore, seduto su una sedia da scuola all’estremità di un lungo tavolo di 5 metri leggermente inclinato e costruito prospetticamente proprio per enfatizzarne la distanza, è invitato a fissare un monitor di 5 pollici che mostra un’onda perfetta, inseguita dai surfisti per tutta la vita.

Gary Hill (1951, Santa Monica, CA). I suoi lavori sono stati presentati in musei e istituzioni di tutto il mondo,  alla Foundation Cartier pour l’art contemporain, Paris; San Francisco Museum of Modern Art; Centre Georges Pompidou, Paris; Guggenheim Museum SoHo, New York; Museum für Gegenwartskunst, Basel; Museu d’Art Contemporani, Barcelona; Kunstmuseum Wolfsburg e altre ancora. I progetti su commissione comprendono opere per il Science Museum di Londra e la Seattle Central Public Library di Seattle, Washington, ed una installazione e una performance rispettivamente al Colosseo e al Tempio di Venere a Roma. Hill ha inoltre ricevuto borse di studio dal National Endowment for the Arts e dalle Fondazioni Rockefeller e Guggenheim, oltre a numerosi premi ed onorificenze, come il Leone d’Oro per la Scultura alla Biennale di Venezia (1995), il John D. and Catherine T. MacArthur Foundation Fellowship Award (1998), il Kurt-Schwitters-Preis (2000), ed un dottorato ad honorem dall’Academy of Fine Arts di Poznan, in Polonia (2005) , e dal Cornish College of the Arts di Seattle, WA (2011).

 

Galleria Lia Rumma is pleased to announce Depth Charge, the third solo exhibition in Italy of works by Gary Hill, opening on Thursday, 26 February 2015.

After the exhibitions of 1996 in Naples and of 1999 in the former premises in Via Solferino in Milan, the Californian artist is back with two recent works: Klein Bottle and Pacifier, and four historic creations: Depth Charge, Isolation Tank, Learning Curve and Sine Wave.
Known for his use of video “as the form of expression closest to thought”, Gary Hill (Santa Monica, California, 1951) focuses his artistic research on the relationship between verbal codes and electronic and digital images.
In his work, he investigates the processes of perception, the diversity of spoken, written and gestural languages, and the dynamics brought into play by combining visual elements and electronically generated sounds.
Since the mid-1970s he has been creating complex and often spectacular videos and video installations, which involve the viewer on a personal, active level.
The six works around which Hill has constructed his third solo exhibition at Lia Rumma’s clearly reveal his meticulous artistic research and the variety of processes it involves.
In Depth Charge (2009-2012), the work that gives the exhibition its title, Gary Hill combines two previous works, for the screening is actually a reference to Varèse 360, in which the composition –Un Grand Sommeil Noir (1906) by Edgard Varèse – is interpreted by the musician/composer Bill Frisell on the electric guitar, while five monitors on the ground play The Psychedelic Gedankenexperiment, in which the artist investigates the psychic alterations brought about by lysergic acid diethylamide, or LSD.
The very presence of the artist and his voice, which is often a part of his works, creates a state of quiescence, inviting the viewer to watch and to listen to the work with great care. This can also be seen in Sine Wave (2011) and Isolation Tank (2010-2011), in which an entirely computer-generated video with synthesised sound creates a work of huge impact.
Learning Curve (1993), on the other hand, is a tribute to surfing and to the cognitive relationship between theory and practice. In this work, the viewer is seated on a school chair at the end of a slightly tilted five-metre-long table made in perspective in order to emphasise its length, and asked to focus on a 5-inch monitor that shows a perfect wave, followed endlessly by surfers.

Gary Hill (b. 1951, Santa Monica, CA) Exhibitions of his work have been presented at museums and institutions worldwide, including solo exhibitions at the Fondation Cartier pour l’art contemporain, Paris; San Francisco Museum of Modern Art; Centre Georges Pompidou, Paris; Guggenheim Museum SoHo, New York; Museum für Gegenwartskunst, Basel; Museu d’Art Contemporani, Barcelona; and Kunstmuseum Wolfsburg, among others.  Commissioned projects include works for the Science Museum in London and the Seattle Central Public Library in Seattle, Washington, and an installation and performance work for the Coliseum and Temple of Venus and Rome in Italy.  Hill has received fellowships from the National Endowment for the Arts and the Rockefeller and Guggenheim Foundations, and has been the recipient of numerous awards and honors, most notably the Leone d’Oro Prize for Sculpture at the Venice Biennale (1995), a John D. and Catherine T. MacArthur Foundation Fellowship Award (1998), the Kurt-Schwitters-Preis (2000), and honorary doctorates from The Academy of Fine Arts Poznan, Poland (2005) and Cornish College of the Arts, Seattle, WA (2011).

 

Da dove sto chiamando. Festival di performing Arts e video a Cagliari
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15 – 29 novembre 2014
Palazzo di Città, piazza Palazzo, Cagliari
Gli appuntamenti per la quinta e ultima settimana del festival: da giovedì a sabato danza con Daniele Albanese e compagnia catalana Vero Cendoya, musica con Eduard Altaba, Adele Madau, Monica Serra, Lu-Po, Psalm’n’Locker, Gianluca Becuzzi, Z’EV, Marco Lampis. 
Giovedì in anteprima nazionale lo spettacolo di danza di Michela Lucenti
Da giovedì a sabato il Palazzo di Città di Cagliari ospiterà gli ultimi appuntamenti per Da Dove Sto Chiamando, il festival di performing art, musica, danza e video organizzato da SpazioDanza e TiConZero.
Giovedì 27 novembre dalle 21,15 in scena Michela Lucenti e la compagnia Balletto Civile che presenteranno  a Cagliari in anteprima nazionale la nuova produzione “Ruggito”.
A seguire il duo XL-XS (Eduard Altaba al contrabbasso e Adele Madau al violino elettrico) in “Experimental Standars”, progetto musicale con una lettura ironica e contemporanea di una serie di  “standard” musicali popolari. Alle 22.30 la performance Oralità pastorale [N.2]” di Monica Serra, frutto di un lavoro di ricerca sonora sul linguaggio dei pastori con gli animali in Sardegna, in chiusura di serata Lu-Po(Gianluca Porcu), autore di musiche per teatro e televisione e sperimentatore elettroacustico.
Venerdì 28 novembre ancora alle 21,15 musica con il progetto di elettronica sperimentale Psalm’n’Locker, a seguire lo spettacolo della compagnia di danza catalanaVero Cendoya “Fils”, teatro-danza, musica e poesia sul tema della pazzia accompagnato dalle musiche originali della violinista Adele Madau. In chiusura il musicista toscano Gianluca Becuzzi presenterà un live set elettroacustico basato su strumenti autocostruiti, percussioni ed oggetti sonori.
Sabato 29 novembre, ultimo giorno del festival, si apre con “Cinecussion”, spettacolo del compositore e performer americano Z’EV: è un progetto audio-video che trasforma energie sonore in proiezioni video basato sulla cimatica, il fenomeno delle forme create dalle onde sonore generate dalla vibrazione di una superficie. Alle 22 danza conDaniele Albanese e il suo lavoro “In a Landscape”, spettacolo nato per scenari urbani ma da qualche anno proposto anche in teatro e in spazi chiusi. Al termine della serata, il musicista cagliaritano Marco Lampiscon “Ucronia, selezioni musicali incredibili e straordinarie”.
Per gli ultimi tre giorni del festival sarà ancora attiva la convenzione “Vieni al Festival in bus” realizzata in collaborazione con il CTM Cagliari: biglietto ridotto per chi raggiungerà il Palazzo di Città con il bus n.7 messo eccezionalmente a disposizione negli orari notturni. Biglietto ridotto anche per studenti e possessori di Carta Giovani.
Il festival è stato anticipato da un’anteprima di tre giorni a ottobre mentre il cuore degli appuntamenti è stato accolto al Palazzo di Città, in piazza Palazzo a Cagliari. Ospiti di questa seconda edizione di Da Dove Sto Chiamando” i musicisti Laurent Bigot, La Générale d’Experimentation, Terminale_3, Olivier di Placido, Sec_, Filippo Mereu e Roberto Follesa, Raoul Moretti con Leonarda Catta, i danzatori e performer Sara Marasso, Francesca Foscarini, Yasmeen Godder, Leonarda Catta, Gyohei Zaitsu. E’ stato presentato anche lo spettacolo inedito “Vero o Falso” a cura di SpazioDanza e TiConZero. Visitabili per tutta la durata del festival le due installazioni audiovisive “Steps to decay, i luoghi dell’abbandono”, collettiva a cura di Alessandro Olla e Giacomo Pisano, e “One Voices” di Lea Tania Lo Cicero a cura di SpazioMusica.
Il festival “Da dove sto chiamando” è organizzato dalle associazioni Spazio Danza e TiConzero con la direzione artistica di Momi Falchi, Tore Muroni e Alessandro Olla. Quest’anno il festival ha allargato la sua rete di collaborazioni  e intersezioni con altre associazioni attente ai linguaggi dell’arte contemporanea: Carovana SMI e il suo progetto “Approdi” , l’associazione Spaziomusica con “Winter Project 2014″, le associazioni Ita Ti Nanta e Venticinquegradi, il gruppo MovieMentu, il collettivo Cinetokore. In programma anche interventi formativi con il Liceo Classico Siotto Pintor e il Conservatorio di Musica P. Da Palestrina, indispensabili per avvicinare le nuove generazioni ai linguaggi della contemporaneità.
Per informazioni: www.dadovestochiamando.org
Orari:
Tutti gli appuntamenti avranno inizio alle 21.15
Ingresso € 10(€7 ridotto per convenzioni CTM, CartaGiovani e Studenti )
 
 
Evento realizzato con il contributo del Ministero per i Beni e le Attività Culturali, 
Regione Sardegna, Comune di Cagliari
e in collaborazione con i Musei Civici di Cagliari