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	<title>digital performance &#8211; Digital Performance webzine di Anna Monteverdi</title>
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	<description>:: digital performance &#38; interactive arts</description>
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	<title>digital performance &#8211; Digital Performance webzine di Anna Monteverdi</title>
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		<title>On line il nuovo numero di Mimesis Journal con gli Atti del convegno DRHA (Università di Torino, settembre 2023).1703 </title>
		<link>https://www.annamonteverdi.it/digital/on-line-il-nuovo-numero-di-mimesis-journal-con-gli-atti-del-convegno-drha-universita-di-torino-settembre-2023/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Fri, 20 Dec 2024 14:42:10 +0000</pubDate>
				<category><![CDATA[archivi digitali]]></category>
		<category><![CDATA[conference]]></category>
		<category><![CDATA[digital art]]></category>
		<category><![CDATA[digital heritage]]></category>
		<category><![CDATA[Digital Liveness]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[Digital scenography]]></category>
		<category><![CDATA[Giacomo Verde]]></category>
		<category><![CDATA[giacomo verde]]></category>
		<category><![CDATA[LIBRI]]></category>
		<category><![CDATA[Alessandro Pontremolti]]></category>
		<category><![CDATA[Anna Monteverdi]]></category>
		<category><![CDATA[Antonio Pizzo]]></category>
		<category><![CDATA[Arte digitale]]></category>
		<category><![CDATA[Articolo]]></category>
		<category><![CDATA[Digital Archive]]></category>
		<category><![CDATA[Gabriella Giannachi]]></category>
		<category><![CDATA[GIACOMO VERDE]]></category>
		<category><![CDATA[INTERACTIVE PERFORMANCE]]></category>
		<category><![CDATA[Letizia Gioia Monda]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[Mimesis Jurnal]]></category>
		<category><![CDATA[Saggi teorici]]></category>
		<guid isPermaLink="false">https://www.annamonteverdi.it/digital/?p=11608</guid>

					<description><![CDATA[Proceeding of DRHA (Digital Research in the Humanities and Arts), University of Turin 10-13 September 2023. This special issue of MIMESIS JOURNAL, edited by Gabriella Giannachi, Letizia Gioia Monda, and Antonio Pizzo, under the direction of Alessandro Pontremoli, offers an extensive and diverse collection of over 50 contributions. This remarkable volume reflects the rich and vibrant [&#8230;]]]></description>
		
		
		
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		<title>Anna Monteverdi alla Scala per un talk sul Ring di Richard Wagner1625 </title>
		<link>https://www.annamonteverdi.it/digital/anna-monteverdi-alla-scala-per-un-talk-sul-ring-di-wagner/</link>
		
		<dc:creator><![CDATA[Wiseworm]]></dc:creator>
		<pubDate>Mon, 28 Oct 2024 07:28:06 +0000</pubDate>
				<category><![CDATA[digital performance]]></category>
		<category><![CDATA[digital scenography]]></category>
		<category><![CDATA[digital scenopgraphy]]></category>
		<category><![CDATA[La Scala]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[opera lirica]]></category>
		<category><![CDATA[Robert Lepage]]></category>
		<category><![CDATA[Anna Monteverdi]]></category>
		<category><![CDATA[La scala]]></category>
		<category><![CDATA[McVicar]]></category>
		<category><![CDATA[ROBERT LEPAGE]]></category>
		<guid isPermaLink="false">https://www.annamonteverdi.it/digital/?p=10886</guid>

					<description><![CDATA[La spezzina Anna Maria Monteverdi ha tenuto una conferenza al Teatro alla Scala di Milano sulle&#160;scenografie moderne da Wagner in occasione della nuova produzione del&#160;Ring des Nibelungen. La Monteverdi ha scritto anche il testo per il libro di salaIn attesa della messa in scena di&#160;Das Rheingold&#160;di Richard Wagner, l&#8217;opera è&#160; stata al centro di un [&#8230;]]]></description>
		
		
		
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		<item>
		<title>La damnation de Faust di Robert Lepage/Carl Fillion 2008 su operaonvideo #liberiamogliarchivi1360 </title>
		<link>https://www.annamonteverdi.it/digital/la-damnation-de-faust-di-robert-lepage-carl-fillion-2008-su-operaonvideo-liberiamogliarchivi/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Thu, 16 Apr 2020 10:16:04 +0000</pubDate>
				<category><![CDATA[archivio videoteatrale]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[liberiamogliarchivi]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[opera lirica]]></category>
		<category><![CDATA[Robert Lepage]]></category>
		<category><![CDATA[damnation de faust]]></category>
		<category><![CDATA[fillion]]></category>
		<category><![CDATA[ROBERT LEPAGE]]></category>
		<guid isPermaLink="false">https://www.annamonteverdi.it/digital/?p=9012</guid>

					<description><![CDATA[https://www.operaonvideo.com/la-damnation-de-faust-met-2008-giordani-graham-relyea/#information Opera: La Damnation de Faust     Composer: Berlioz Hector    Libretto: Hector Berlioz, Almire Gandonniere   Venue &#38; Opera Company: Metropolitan Opera, New York   Recorded: 2008 Type: Staged Opera Live Singers: Marcello Giordani, Susan Graham, John Relyea Conductor: James Levine    Orchestra: Metropolitan Opera Orchestra   Chorus: Metropolitan Opera Chorus   Stage Director: Robert Lepage    https://www.metopera.org/season/on-demand/opera/?upc=811357012154]]></description>
		
		
		
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		<item>
		<title>Hiroshima raccontata da Lepage in Le sept branches de la rivière Ota (1995)318 </title>
		<link>https://www.annamonteverdi.it/digital/hiroshima-raccontata-da-lepage-in-le-sept-branches-de-la-riviere-ota-1995/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Thu, 06 Aug 2015 11:50:00 +0000</pubDate>
				<category><![CDATA[Anna Monteverdi]]></category>
		<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[digital scenography]]></category>
		<category><![CDATA[digital scenopgraphy]]></category>
		<category><![CDATA[Robert Lepage]]></category>
		<category><![CDATA[Hiroshima]]></category>
		<category><![CDATA[lepage]]></category>
		<category><![CDATA[seven streams]]></category>
		<guid isPermaLink="false">http://www.annamonteverdi.it/digital/?p=2443</guid>

					<description><![CDATA[Nel 1993-1994 Lepage ritorna al suo interesse per l&#8217;Estremo Oriente. Inizia a lavorare allo spettacolo Les sept branches de la rivière Ota (che avrà anche una versione inglese: The seven streams of the river Ota) concepito come opera collettiva e prima produzione della neo-nata Ex Machina, struttura multidisciplinare che fa capo a Lepage, costituita da [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Lepage: interviste in rete243 </title>
		<link>https://www.annamonteverdi.it/digital/lepage-interviste-in-rete/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Tue, 28 Apr 2015 08:40:42 +0000</pubDate>
				<category><![CDATA[BIO]]></category>
		<category><![CDATA[corsi]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[documentario teatrale]]></category>
		<category><![CDATA[intervista]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Robert Lepage]]></category>
		<category><![CDATA[lepage]]></category>
		<category><![CDATA[ROBERT LEPAGE]]></category>
		<guid isPermaLink="false">http://www.annamonteverdi.it/digital/?p=2148</guid>

					<description><![CDATA[https://www.youtube.com/watch?v=uaJ5o9rcggc &#160; &#160; &#160;]]></description>
		
		
		
			</item>
		<item>
		<title>Archivio: il Big Art Group216 </title>
		<link>https://www.annamonteverdi.it/digital/archivio-il-big-art-group/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Sat, 04 Apr 2015 20:59:47 +0000</pubDate>
				<category><![CDATA[archivi]]></category>
		<category><![CDATA[archivio videoteatrale]]></category>
		<category><![CDATA[big art group]]></category>
		<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[Digital scenography]]></category>
		<category><![CDATA[FOCUS]]></category>
		<category><![CDATA[BIG ART GROUP]]></category>
		<guid isPermaLink="false">http://www.annamonteverdi.it/digital/?p=2036</guid>

					<description><![CDATA[IL newyorchese Caden Manson, leader del Big Art Group, è il creatore di House of no more. Il precedente spettacolo del Big Art Group, Flicker, era una divertente e distruttiva parodia dei reality show televisivi, delle dirette sui luoghi della tragedia, delle cronache in tempo reale, che imperversano in ogni Tv: era costruito come un real time film, un [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Ombre e tecnologie nelle performance contemporanee180 </title>
		<link>https://www.annamonteverdi.it/digital/ombre-e-tecnologie-nelle-performance-contemporanee/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Tue, 17 Mar 2015 00:29:34 +0000</pubDate>
				<category><![CDATA[Anna Monteverdi]]></category>
		<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[digital scenography]]></category>
		<category><![CDATA[FOCUS]]></category>
		<category><![CDATA[Kentridge]]></category>
		<category><![CDATA[Kara Walker]]></category>
		<category><![CDATA[remediation]]></category>
		<category><![CDATA[WILLIAM KENTRIDGE]]></category>
		<guid isPermaLink="false">http://www.annamonteverdi.it/digital/?p=1863</guid>

					<description><![CDATA[Rimediando il teatro-alla maniera di Kentridge Si sta facendo largo ultimamente un ambito di studi e ricerche storiche collegate a pratiche artistiche teatrali e installattive contemporanee che a dispetto delle tecnologie più sofisticate e interattive, si rivolgono all’indietro, al passato, alla tradizione o a macchine obsolete, a vecchie modalità artistiche e a dispositivi e programmi [&#8230;]]]></description>
		
		
		
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		<title>Robert Lepage alla ricerca della Lanterna magica168 </title>
		<link>https://www.annamonteverdi.it/digital/robert-lepage-alla-ricerca-della-lanterna-magica/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Sun, 08 Mar 2015 09:13:05 +0000</pubDate>
				<category><![CDATA[Anna Monteverdi]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[digital scenography]]></category>
		<category><![CDATA[Robert Lepage]]></category>
		<category><![CDATA[Jeux de cartes]]></category>
		<category><![CDATA[ROBERT LEPAGE]]></category>
		<guid isPermaLink="false">http://www.annamonteverdi.it/digital/?p=1818</guid>

					<description><![CDATA[Robert Lepage ci riprova con la scrittura collettiva. Dopo l’esperienza folgorante di Théâtre Répere degli anni Ottanta (La trilogie des dragons) e dei primi spettacoli anni Novanta firmati Ex machina (Le sept branches de la riviére Ota) in cui la drammaturgia era creata da un laboratorio di giovani attori-creatori di cui faceva parte anche la [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Robert Lepage e la pittura86 </title>
		<link>https://www.annamonteverdi.it/digital/robert-lepage-e-la-pittura/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Sun, 23 Mar 2014 13:04:17 +0000</pubDate>
				<category><![CDATA[Anna Monteverdi]]></category>
		<category><![CDATA[BIO]]></category>
		<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[Digital scenography]]></category>
		<category><![CDATA[FOCUS]]></category>
		<category><![CDATA[Robert Lepage]]></category>
		<category><![CDATA[ROBERT LEPAGE]]></category>
		<guid isPermaLink="false">http://www.annamonteverdi.it/digital/?p=1364</guid>

					<description><![CDATA[Pubblicato su HYSTRIO: numero speciale su Teatro e Pittura. Robert Lepage premio Europa 2007 è giustamente ricordato per alcuni spettacoli che rimarranno delle pietre miliari della Storia del Teatro contemporaneo, primo fra tutti Les sept branches de la riviére Ota (1995) memorabile esempio di epopea teatrale dedicata alla tragedia di Hiroshima in cui le proiezioni [&#8230;]]]></description>
		
		
		
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		<title>Metamorphosis of the stage: The far side of the moon and Elsinore66 </title>
		<link>https://www.annamonteverdi.it/digital/metamorphosis-of-the-stage-the-far-side-of-the-moon-and-elsinore/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Mon, 10 Feb 2014 19:08:09 +0000</pubDate>
				<category><![CDATA[Anna Monteverdi]]></category>
		<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[digital scenography]]></category>
		<category><![CDATA[FOCUS]]></category>
		<category><![CDATA[Robert Lepage]]></category>
		<category><![CDATA[Elsinore]]></category>
		<category><![CDATA[lepage]]></category>
		<category><![CDATA[ROBERT LEPAGE]]></category>
		<guid isPermaLink="false">http://www.annamonteverdi.it/digital/?p=1323</guid>

					<description><![CDATA[Published in E. Quinz,  Digital performance Before Galileo turned his telescope toward its surface people believed the moon was a polished mirror, its dark scars and mysterious contours reflections of our mountains and seas.  The Soviets launched a probe to circle the moon. We faced a far and unseen side of the moon: a marked [&#8230;]]]></description>
		
		
		
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