Archivi Tag: ars electronica

Alter Itsuki Doi (JP), Takashi Ikegami (JP), Hiroshi Ishiguro (JP), Kohei Ogawa (JP)-Award of Distinction Ars Electronica 2018

Veronica D'Auria/ Ottobre 7, 2018/ Ars elctronica, robotica

Alter is a robot developed for the purpose of exploring what it means to be “life-like.” In contrast with the Otonaroid, Alter appears to be a machine that has been stripped bare. However, it expresses life-likeness through complex movements. These movements may look haphazard, but change constantly due to the underlying algorithm that mimics the logic of neural circuits of living things. A moment

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La Chute / The Fall, Boris Labbé (FR)-Ars Electronica 2018- Award of Distinction

Veronica D'Auria/ Ottobre 7, 2018/ Animation

As celestial beings descend to Earth vitiating its population, the world’s order unbalances. Initiated by these terms, a tragic fall leads to the parturition of crucial opposites: Hell and Heaven’s circles.   Boris Labbé got the inspiration for his film from reading Dante’s Divine Comedy, but it isn’t an adaptation. In fact, the work gives a sensation of being an amplified

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L’Intelligenza Artificiale e la Robotica salverà il mondo (o almeno il Teatro)? cap. 1 ROBOTICA

Veronica D'Auria/ Ottobre 3, 2018/ NEWS, robotica

Articolo di Anna Monteverdi Girare per eventi come Ars Electronica di Linz o il Festival della Robotica di Pisa ti fa capire come alcuni concetti tecnici abbastanza difficili  (Realtà aumentata, Robotica, Intelligenza Artificiale) siano diventati non solo pratica quotidiana ma ambiti già ampiamente frequentati e applicati con qualche egregio risultato, anche all’arte e al Teatro. Se è superata facilmente  la

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annamaria monteverdi/ Marzo 4, 2017/ digital art

Online Submission Deadline (Extended): March 13, 2017 (23:59 CET). PRIX ARS ELECTRONICA AND STARTS PRIZE A project may be entered to both the STARTS prize and a Prix Ars Electronica category (Computer Animation/Film/VFX, Digital Musics & Sound Art and Hybrid Art). It is therefore possible to win both the STARTS Prize and a Prix Ars Electronica award at the same

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DEEP SPACE 8K Ars electronica center-LINZ

annamaria monteverdi/ Marzo 4, 2017/ Animation, digital art

A sensational, internationally unique experience awaits visitors to the Ars Electronica Center since August 2015. A 16 by 9 meters wall and 16 by 9 meters floor projection, laser tracking and 3-D animations were the specialities of the Deep Space since 2009. An all-out upgrade of the venue’s technical infrastructure of the Deep Space will enable audiences to enjoy projections

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Yoichi Ochiai (JP) at Ars electronica

annamaria monteverdi/ Settembre 5, 2016/ digital art, Festival

Honorary Mention Interactive Art+ Yoichi Ochiai (JP) Fairy Lights in Femtoseconds is a 3-dimensional holograph that creates a dialogue between the physical and the immaterial, melting the border between matter and images. The result of a successful collaboration between artist Yoichi Ochiai and three Japanese universities, compositions of light fields are created using laser-induced plasma, operating in 30 femtosecond pulses

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Lino Strangis at Ars Electronica, Linz

annamaria monteverdi/ Settembre 5, 2016/ digital art, FOCUS

Flying in the Middle of Nowhere Thu 8 September – Mon 12 September 2016 First Floor / Gallery POSTCITY Credit: Lino Strangis The work was produced at Fondazione Mondo Digitale’s Innovation Gym. Lino Strangis for six  months at Phyrtual Innovation Gym along with seven young people selected by a call. The Phyrtual Innovation Gym is place where artists can find

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Ars Electronica Festival | Linz, September 3-7, 2015

annamaria monteverdi/ Agosto 30, 2015/ Festival, FOCUS

The Ars Electronica Festival that takes place from September 3 to 7, 2015, in Linz is an inquiry into how cities of the future will have to be configured when there are more robots than people working in factories, everything is intelligently interlinked, autos drive autonomously and drones deliver the mail. And what does it mean for future megacities—above all,

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