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	<title>HEINER GOEBBELS &#8211; Digital Performance webzine di Anna Monteverdi</title>
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		<title>Eraritjaritjaka and the Intermediality of Heiner Goebbels’Music Theatre by  David Roesner from Academia.edu554 </title>
		<link>https://www.annamonteverdi.it/digital/eraritjaritjaka-and-the-intermediality-of-heiner-goebbelsmusic-theatre-by-david-roesner-from-academia-edu/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Mon, 12 Sep 2016 06:31:28 +0000</pubDate>
				<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[HEINER GOEBBELS]]></category>
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					<description><![CDATA[SEE the essay at: https://www.academia.edu/1718457/Eraritjaritjaka_and_the_Intermediality_of_Heiner_Goebbels_Music_Theatre  David Roesner  is Professor for Theatre and Music-Theatre Studies at University of Munich, Kunstwissenschaften, with a research interest in experimental music-theatre and the musicality of theatrical performance. He also investigates the creative potential of music-based videogames. Musical and theatrical performances normally meet on well-established grounds: genres and conventions come, in most [&#8230;]]]></description>
		
		
		
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		<title>Ulf  LANGHEINRICH78 </title>
		<link>https://www.annamonteverdi.it/digital/ulf-langheinrich/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Tue, 25 Feb 2014 14:15:04 +0000</pubDate>
				<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[HEINER GOEBBELS]]></category>
		<category><![CDATA[Ulf Langheinrich]]></category>
		<guid isPermaLink="false">http://www.annamonteverdi.it/digital/?p=1284</guid>

					<description><![CDATA[Three works are presented at the Biennale Musiques en scène in Lyons, France:  &#62; LAND IV (2008-2014) - 3D stereoscopic installation &#62; MUSIC I (2005-2014) - 3D stereoscopic installation 5 March &#8211; 20 April 2014 Musée d&#8217;Art Contemporain de Lyon as part of the exhibition &#8220;Listen Profoundly&#8221; Milton Feldman / Ulf Langheinrich / Heiner Goebbels Commissioned by the Liverpool Biennial 2008, LAND is a new [&#8230;]]]></description>
		
		
		
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		<title>Heiner Goebbels e il Festival di Ruhr26 </title>
		<link>https://www.annamonteverdi.it/digital/676jhyy/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Tue, 05 Nov 2013 14:59:47 +0000</pubDate>
				<category><![CDATA[Anna Monteverdi]]></category>
		<category><![CDATA[computer art]]></category>
		<category><![CDATA[digital art]]></category>
		<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[Digital scenography]]></category>
		<category><![CDATA[FOCUS]]></category>
		<category><![CDATA[interactive music]]></category>
		<category><![CDATA[Teatro immersivo]]></category>
		<category><![CDATA[Douglas Gordon]]></category>
		<category><![CDATA[HEINER GOEBBELS]]></category>
		<category><![CDATA[ROBERT LEPAGE]]></category>
		<category><![CDATA[Ruhr Triennale]]></category>
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					<description><![CDATA[Pubblicato su Juliet Art Magazine La Triennale di Ruhr (2012-2014) in Germania conclusasi a ottobre, è stata una delle manifestazioni artistiche più complete e ricche dell’anno. Merito del direttore, al suo secondo e penultimo anno di incarico: il compositore e regista teatrale tedesco Heiner Goebbels, una delle personalità di rilievo nel panorama della sperimentazione musicale e multimediale contemporaneo.   [&#8230;]]]></description>
		
		
		
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		<title>TRA REMEDIATION, AMBIVALENZA E INTERTESTUALITÀ, ALCUNE PREMESSE TEORICHE AL TECNO-TEATRO.20 </title>
		<link>https://www.annamonteverdi.it/digital/tra-remediation-ambivalenza-e-intertestualita-alcune-premesse-teoriche-al-tecno-teatro/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Fri, 01 Nov 2013 20:19:07 +0000</pubDate>
				<category><![CDATA[Anna Monteverdi]]></category>
		<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[interactive performance]]></category>
		<category><![CDATA[Kentridge]]></category>
		<category><![CDATA[Konic]]></category>
		<category><![CDATA[LIBRI]]></category>
		<category><![CDATA[masbedo]]></category>
		<category><![CDATA[Motus]]></category>
		<category><![CDATA[digital performance]]></category>
		<category><![CDATA[GORDON CRAIG]]></category>
		<category><![CDATA[HEINER GOEBBELS]]></category>
		<category><![CDATA[INTERACTIVE PERFORMANCE]]></category>
		<category><![CDATA[MASBEDO]]></category>
		<category><![CDATA[remediation]]></category>
		<category><![CDATA[ROBERT LEPAGE]]></category>
		<category><![CDATA[Urban screen]]></category>
		<category><![CDATA[VIDEOMAPPING]]></category>
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					<description><![CDATA[Pubblicato in A.M.Monteverdi, Rimediando il teatro con le macchine, le ombre, i nuovi media, La Spezia, Ed. Giacché, 2013 Da alcuni anni mi occupo di autori e registi teatrali contemporanei il cui lavoro viene associato alle tecnologie e alla multimedialità: da una parte Robert Lepage, William Kentridge, Heiner Goebbels, e dall’altra gruppi come Masbedo, Urban Screen, Motus, Konic [&#8230;]]]></description>
		
		
		
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