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	<title>Teatro virtuale &#8211; Digital Performance webzine di Anna Monteverdi</title>
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	<description>:: digital performance &#38; interactive arts</description>
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	<title>Teatro virtuale &#8211; Digital Performance webzine di Anna Monteverdi</title>
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		<title>contributions for a special issue on Performance and VR Practice from The International Journal of Performance Arts and Digital Media901 </title>
		<link>https://www.annamonteverdi.it/digital/contributions-for-a-special-issue-on-performance-and-vr-practice-from-the-international-journal-of-performance-arts-and-digital-media/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Tue, 23 Jan 2018 14:19:21 +0000</pubDate>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Teatro virtuale]]></category>
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					<description><![CDATA[Virtual Reality technologies have a long and established history. As Oliver Grau recognizes in his seminal text Virtual Art: From Illusion to Immersion (2003), “the idea of installing an observer in a hermetically closed-off image space of illusion did not make its first appearance with the technical invention of computerised virtual realities. On the contrary, [&#8230;]]]></description>
		
		
		
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		<title>Quello che tarda a emergere: il teatro a rischio di virtuale. Saggio di Didier Plassard83 </title>
		<link>https://www.annamonteverdi.it/digital/ce-qui-tarde-a-emerger-le-theatre-au-risque-du-virtuel-par-didier-plassard/</link>
		
		<dc:creator><![CDATA[annamaria monteverdi]]></dc:creator>
		<pubDate>Tue, 11 Mar 2014 14:47:34 +0000</pubDate>
				<category><![CDATA[DIGITAL PERFORMANCE]]></category>
		<category><![CDATA[3d Theatre]]></category>
		<category><![CDATA[Didier Plassard]]></category>
		<category><![CDATA[Jean Lambert-wild]]></category>
		<category><![CDATA[Mark Reaney]]></category>
		<category><![CDATA[Orgia]]></category>
		<category><![CDATA[Pilon]]></category>
		<category><![CDATA[Teatro virtuale]]></category>
		<category><![CDATA[Theatre virtuel]]></category>
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					<description><![CDATA[Pubblicato sul primo numero della rivista Prospero European Review novembre 2010 Lechy Elbernon:  […] Il teatro. Lei non sa cosa sia? Marthe:  No. Lechy Elbernon:  C&#8217;è un palco e una sala. Poiché tutto è al chiuso, le persone vengono là di sera e stanno seduti su file di sedie gli uni dietro agli altri, guardando. Marthe: [&#8230;]]]></description>
		
		
		
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