annamaria monteverdi/ Luglio 26, 2016/ digital art, FOCUS

Kusama’s unique imagery spring from the recurring hallucinations that have haunted her since childhood. In her hallucinations the world appeared as covered by dots and repetitive shapes, like an infinite starry sky. Art, for Kusama became a method of giving form to these inner landscapes. In an effort to put words to her experiences, Kusama talks about the concept of self-obliteration – the idea of becoming one with the surroundings, dissolving the boundaries of the Self, and disappearing into an all-embracing emptiness. To share her experiences, Kusama creates works of art that invite visitors to lose themselves in the infinite nets, mirror rooms and thousands of polka dots with which she covers the world.

In the late 1970s, Kusama left New York. Some years later she resumed her artistic practice in Tokyo, making monumental paintings and sculptures. Yayoi Kusama still works in her studio every day and now, she is one of the world’s most beloved artists.

Yayoi Kusama – In Infinity is the first major retrospective presentation of Kusama’s oeuvre in Scandinavia, spanning her entire artistic career from the early 1950s until today. The exhibition features a rich selection of paintings, drawings and sculptures, including spatial installations and performance-related material, paying particular attention to works from the late 1980s, after Kusama’s return to Japan. It is also the first comprehensive exhibition featuring Kusama’s interest in fashion and design. On view are works never shown previously, as well as a series of paintings made especially for Yayoi Kusama – In Infinity.

Curator: Jo Widoff
Assistant curator: Olga Krzeszowiec Malmsten

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