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Digital Performance webzine di Anna Monteverdi
Digital Performance webzine di Anna Monteverdi
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Digital Performance webzine di Anna Monteverdi

:: digital performance & interactive arts

Digital Performance webzine di Anna Monteverdi
  • LIBRI
    • SCENOGRAFE-
    • Memoria, maschera e macchina nel teatro di Robert Lepage
  • DIGITAL PERFORMANCE
  • VIDEOMAPPING
  • MONTEVERDIPEDIA
    • Big Art Group
    • Digital Performance, Interactive Performance
    • Digital Arts
    • Giacomo Verde
    • Gordon Craig
    • IAM EU Project
    • Jeton Neziraj
    • Kosovo
    • Living Theatre
    • Marcel-Lì Antunez Roca
    • Masbedo
    • Michele Sambin / Tam TeatroMusica
    • Robert Lepage
    • Studio Azzurro
    • Videomapping & Light Arts
    • William Kentridge
  • Leggere uno spettacolo multimediale.

MULTISENSORIALITY Seminar Series: SPATIALIZATION OF SOUND. Markus Ophälder.
1597

18 May 2023, 14.30 – 16.00, Aula M402 Santa Sofia- Università Statale di MIlano

Markus Ophälders, University of Verona

The ERC project AN-ICON “An-Iconology. History, Theory, and Practices of Environmental Images” is please to invite you to the last seminar of the 2022/23 series Multisensoriality, at the presence of Markus Ophälders, Associate Professor of Aesthetics at the University of Verona. 


Where and when
18th May 2023, 14.30 – 16.00, Aula M402, via Santa Sofia, Milano
This year the seminar series has returned to its in-person and public format, we look forward to seeing you there.


Abstract
The phenomenon of sound is always located in a space and it creates space, sound spaces, which may be more or less perceivable: one is the situation in a concert hall, another one is that of a supermarket with some kind of music playing in the background. During my talk I will consider one of the most recent phenomena, a concert of four string quartets which has taken place in the Hangar Bicocca, a place which on its own is already extraordinary. I then will try to construct a sort of historical phenomenology of spatialization of sound, beginning with Andrea and Giovanni Gabrieli, two Venetian composers of the 16th century, who introduced the “cori battenti”, two contraposed choruses, in order to create a new space by using sound. The next step will be the analysis of the disposition of the musicians practiced by Bach before proceeding onto the composition of the modern symphony orchestra also used in the case of melodramas. This gives way to the changes Wagner introduced at Bayreuth and then to the phenomena of new music: Gruppen by Karlheinz Stockhausen with three orchestras, Salvatore Sciarrino and his composition for Brunelleschi in the cupola of the Dome of Florence and, at the end, Prometeo by Luigi Nono, a composition for which Enzo Piano created an Arch with mobile elements in order to create different spaces of sound.

16/05/2023 annamaria monteverdi

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